(i.e. texts, resources, etc. not by Philip Tagg)
Last update 2022-09-11 |
= broken link ||
.= not formatted for phoneSee also work by Tagg’s students
Links to work by others
(i.e. texts, resources, etc. not by Philip Tagg)
Last update 2022-09-11 |
= broken link |
|.= not formatted for phone
See also work by Tagg’s students
A
Actas
del VII Congreso Latinoamericano IASPM-AL, La Habana 2006 .
Adorno, Theodor W. 1941. On Popular Music
Alén Rodriguez, O. 1991. Center for the Research and Devlopment of Cuban Music (CIDMUC)
Anderson, Gillian & Sadoff, Ron. 2003. Music and
Moving Image Bibliography
Andersson, Benny. 2010. Rock and Roll Hall of Fame induction speech.
Bello, Juan (ed.) 2005. Semantic
descriptors bottom-up computation module. ‘SIMAC’s Work Package
2 (WP2) is mostly concerned with the bottom-up estimation of semantic
descriptors and the generation of metadata for semantic analysis [of music]...
Björnberg, Alf. On aeolian harmony in contemporary popular music (original English version, 1984) [dummy HTML]
Boëthius (c470-c524). Short biography and extract from the Consolation
Bottin, Guglielmo. 2001. Music
in Film: effects of underscoring on semantic appraisal and interpretation
of film scenes. Doctoral thesis (index to online chapters), Dept.
Psychology, University of Padua (Italy). Yes, music does make a difference!
Bouchard, Vincent (2010) Le personnage vocal. Une exploration pluridisciplinaire du chant dans la musique populaire (texte provisoire). Provisional Masters thesis —extremely interesting text— on vocal persona (143 pp., PDF 2500 kb).
Scott Bradley: The Tom and Jerry Online :: An Unofficial Site ::.. !
British Academy Report: Copyright and Research in the Humanities and Social Sciences (22 pp., September 2006).
Brocken, M. 1998. The
British Folk Revival (was PhD thesis, IPM, now available as commercial book)
Burns, Gary (1987). Typology of 'hooks' in popular records [PDF].
Byrne,
David & Levitin, Daniel. 2007. The singer/songwriter and the neuroscientist
meet up to discuss music. Seed magazine, April 2007/
Jack Campin: Scales and Modes in Scottish Traditional Music
Catedra de Artes, ns 3 y 4, (Revista de la Facultad de Artes de la Universidad Catlica de Chile). Numeros dedicados a los estudios de música popular, con varias colaboraciones de miembros IASPM-AL • Juan Pablo Gonzlez: Rock, memoria del cuerpo (La construcción patrimonial del rock en Chile) • Emmanuelle Rimbot: Autorrepresentación y manifiestos en la Nueva Canción y Canto Nuevo • Agustín Ruiz Zamora: Margot Loyola y Violeta Parra: Convergencias y divergencias en el paradigma interpretativo de la Nueva Canción chilena • Mara de la Luz Hurtado: Productividad de la mirada como performance • Egberto Bermúdez: Del humor y del amor: Música de parranda y msica de despecho en Colombia (I)
Ceolas - The Fiddler's Companion (includes discography of numerousf Irish, British & N. American tunes)
Chandler, D. Semiotics for Beginners
(essential basic reading)
Chester, A. 1970. For a rock aesthetic and Second thoughts about a rock aesthetic
Cisneros, Bernat Jiménez de (2015) Ritmo y compás (Estructura métrica y articulación rítmico-armónica de los géneros flamencos acompasados)
Cloonan, Martin. 2011. Live Music as Ideology. Paper delivered at IASPM conference, Grahamstown (South Africa), June/July 2011; not yet published/publishable (2011-10-25).
Cloonan, Martin & Hulstedt, Lauren (2012). Taking Notes: A mapping of HE Popular Music and an investigation into the teaching of theory and analysis (a report for the HEA/Higher Education Academy (UK)).
Collins, John. 2011. The Introduction of Popular Music Courses to Ghanaian Universities. Keynote address at the 17th IASPM Biennial Conference, 27 June- 1 July 2011, Grahamstown, South Africa. PDF 246k [dummy HTML]
Collins, K E. 2002. The Future is Happening Already: Industrial Music, Dystopia and the Aesthetic of the Machine (PhD Thesis, IPM, Liverpool). Republished for peanuts in popular form as A Bang, a Whimper and a Beat (Kindle).
Collins, K E. 2006. Flat Twos & the Musical Aesthetic of the Atari VCS.
Copyright and Research in the Humanities and Social Sciences (British Academy) (22 pp., September 2006).
Darrington, Ian (2004). Trumpet Mouthpieces - An In-depth Study: An Investigation Into Trumpet Mouthpiece Design of the Twentieth Century and the Relationship that has Developed between Design, the Players and the Music with Special Reference to Jazz and Big Band Music. (PhD thesis, Liverpool 2004) [15 MB, 30+ 30 MS Word files]
Davis, Bob. 2004. Hear
the beat come down? Stan Hawkins, Metre, Beat and House music as Rhetoric [211k + 2Meg] .
— 2005 ‘Who Got Da Funk? An etymophony of funk from the 1950s to 1979. PhD diss. in musicology, Montréal [dummy HTML].
Discogs (invaluable discography site)
Δρόμοι και Τρόποι - Μια συγκεντρωτική παρουσίαση (Greek modes)
Dvořák, Antonín (1895) ‘Music in America’ (with the cooperation of Edwin Emerson, Jr.); Harper's New Monthly Magazine (February 1894: 429-424). Includes: [1] critique of zero state support for arts in US; [2] ideas about US musical identity; [3] Dvořák’s view of his job as a teacher. What a good bloke!
Einar Egilsson: Chord Image Generator (guitar); interactive input at http://chordgenerator.net
Eisler, H. 1943-1948. Writings in English (index to 15 online documents)
Electronic Music Instruments - 120 years (June 2016 )—The history of electronic music from 1800 to 2015
Er Malak Official Website / Ер Малък — официален уебсайт (kings of Bulgarian metal)
Elicka, Martina. The Theme of Loneliness in Mainstream Pop and Rock Songs (important extracts).
Etnomusicología (ICTM España)
Franco
Fabbri (sito personale ed informativo) , including
• A Theory Of Musical Genres: Two Applications (1981)
• Skill:
The Positive Case (or: In Praise Of Learning) (1987)
• Copyright:
The Dark Side Of Music Business (1989)
• Browsing Music Spaces: Categories And The Musical Mind (1999)
• Procol
Harum, come sopravvivere alla storia. Cos il rock trovò Bach e perse
l'innocenza (2002)
• Taboo
Listening (2003)
• Musical life in Tilos
(2004)
• Ricostruire
una storia della popular music e dei suoi generi: problemi epistemologici
e valutazione delle fonti (2004)
• Five
Easy Pieces: Forty Years of Music and Politics in Italy, from B(ella ciao)
to B(erlusconi) (2006)
• Segni e significati
in musica: il caso-Eco (2012)
• (music on the Commodore 64:
interview in Italian) (2013)
Folksongs index (US)
Grenier, L. 2000. Hommage
à Gaston Rochon [14k]
Hamm, C. 1981. Some thoughts on the Meausurement of Popularity in Music [54k]
Harker, D. 1996. Gotta Serve Somebody: Theodor Adorno, popular music studies and commitment. Draft Text [120 pp, 269k, PDF]
Harker, D. 1998. It's a Jungle Sometimes: The Music Industry, the Crisis and the State [124k]
Hawkins, S. 2003. Feel
the beat come down: house music as rhetoric [130 + 210k]
Heuger, M. 1998. Don’t call my music POPULARMUSIK: Anmerkungen zu einem akademischen Phantom.
The Hollywood Edge: Sound Effects | Music FX
Huron, D. 2000. Music
Cognition Handbook: A Glossary of Concepts
IASPM: International Association for the Study of Popular Music
IASPM list subscribers 2007. Online Pop Theory Discussion
IMLSP - Petrucci Music Library
Interdisciplinary Music Studies (Journal of)— excellent Turkish-based music studies periodical (in English)
Joffé, R. Interviewed about The Mission in 1987-9.
Johansson, K G. 1999. The
Harmonic Language of the Beatles
Johnson, A J Bruce. 2009. Cultural Theory – Who Needs It? [PDF]. International Conference of the Popular Culture Association and American Culture Association (PCACA), 27-31 July 2009, Turku Finland. [HTML]
Lacasse,
S. 2000. ‘Listen
to My Voice’ — The Evocative Power of Vocal Staging in Recorded Rock
Music and Other Forms of Vocal Expression. PhD Thesis, IPM [303 pp.,
PDF]
Laluz, Alexander (2004). Las formas de producción
de sentido en la música popular (= Ways of producing meaning
in popular music’). Article subtitled ‘De “Kojak”
a Montevideo’ and ‘El trabajo pionero de Philip Tagg propici
nuevos campos de investigación y la reorientación crtica de concepciones
condicionadas por la formación musical tradicional’ by Alexander
Laluz in Brecha (Montevideo, 30 July 2004, p. 26) [PDF 145k, formatted
for newspaper pages (broadsheet)].
Levy, Claire. 2009. Folk in Opposition? Wedding Bands and the New Developments in Bulgarian Popular Music. Music & Politics 3/1 (Winter 2009), ISSN 1938-7687
Lilja, Esa. 2015. Short bio, full CV and list of publications.
Ling, J. 2003. Is ‘world music’ the ‘classic music’ of our time? (Popular Music, 22/1: 135-240)`
Lloyd, D. 2000. Mercury Models — Distortion of Language and Identity in New Heavy Metal [html 22k]
Maimets, Kaire: CV, publications, etc. including PhD on the use of Pärt’s music in film, also summarised in this article.
— 2015. Selective chronological list of feature films featuring Arvo Pärt’s Spiegel im Spiegel (1978)
— 2016. Boolerost “Koiduni” (From Bolero to Koit).
Mann, William. ‘What Songs The Beatles Sang’. The Times, 1963-12-23.
Maqam World (thorough and highly recommended)
Maqamat with transpositions (ed. S Asmar: v useful).
Marcello Sorce-Keller's personal site. Insightful and thoroughly readable writings about all sorts of music. Definitely worth a visit.
Mattelart, Armand & Neveu, Erik. ‘Cultural Studies' Stories. La domestication d'une pense sauvage?’ 1996, Paris: Rseaux no. 80 (48 pp., PDF).
Morricone, E. 2004. Interview mit Michael Tschernek in Die Tageszeitung.
Nardi, Carlo (2004) Playing by eye: music software and visuality [PDF 809k] | [html dummy]
Negus, Keith. 1996. 'Globalization and the Music of the Public Spheres'; in Globalization, Communication and Transnational Civil Society (ed. S Braman & A Sreberny-Mohammadi, pp. 179-195). Cresskill (NJ): Hampton Press [img. scan PDF, 1352k]
Nestiev, Israel (Golovinsky, G). Popular Music in the USSR — Problems and opinions (1981)
NIMiMS: etwork for the Inclusion of Music in Music Studies
Parlour Songs — printable PDF scans
Parlour Songs (English-language, 1800-1920: useful details on hundreds of songs)
Risto Pekka Pennanen (2008) Lost
in Scales: Balkan folk music research and the Ottoman legacy.
Muzikologija/Musicology 8 (2008): 127-147.
Petridis,
Alex. 2002. The
Soundtrack of our Lives (Guardian, 9 August 2002).
Petrucci Music Library (IMSLP)
“Popbitch”. Oh Say Can You Sing —about memorable diva renditions, with transcriptions, of the US national anthem at the Super Bowl (US ‘football’) since 1990.
Ross, Alex (2003) Ghost Sonata — What happened to German music? New Yorker 2003-03-24 (about Adorno as a romantic of German modernism, etc.)
Rothenbuhler, E. W. 1987. Commercial Radio and Popular Music: Processes of Selection and Factors of Influence [pdf 44k]
The Singing Englishman, part 3
Sound Effects: 55 Great Websites To Download Free Sound Effects - Hongkiate (metasite)
Stilwell,
R. 1997.‘ I just put a drone under him...’ Collage and Subversion
in the Score of “Die Hard” (Music & Letters, Oxford,
November 1997).
— 2002. Music in Films: a critical review of literature, 1980-1996. Journal of Film Music, 1/1: 19-62
— 2003. The Musical Number and the Sitcom (good read)
STM Online (Svensk tidskrift för musikforskning = Swedish Musicological Journal)
Sundgren, Patrick. 1998. Populärmusikens tecken och myter — en analys av fotbolllåten
"Upp, häcken, upp" (interesting analysis, in Swedish,
of a football fan song).
Tamlyn, Garry. 1998. The Big Beat — Origins and Development of Snare Backbeat and other Accompanimental Rhythms in Rock’n’Roll. PhD thesis, Institute of Popular Music, University of Liverpool. Highly recommended!
Thompson, Nick. 2009. Drumkit Notation Key. Incl. cymbal, ride, hihat, snare, toms, kick, rolls, hits, rims, sticks, etc. plus sample patterns from Aerosmith, James Brown, Bobby Darin, Beatles, Gloria Gaynor, etc. Version française Notation pour la batterie.
Turner, Joan; Dlano, Manuel 2007. Entrevista Joan Turner, viuda del cantautor chilena Vctor Jara “Ya no lloro”. El País (Madrid), 2007-06-10
Ulhôa, Marta: complete online texts
University of Iowa symphonic instruments samples
Vaughan Williams, Ralph (1934). National Music. OUP; 50 pp., various formats incl. PDF (A5).
Vega, Carlos (1944) Fraseología.
Vega, Carlos (1962/1977,posth.). El canto de los trovadores en una historia integral de la música. Revista del Instituto de Investigación Musicologica Carlos Vega, 1/1: 1-32 (Buenos Aires, 1977) [safety backup | dummy HTML file]
Vega, Carlos (1966). Mesomúsica: un ensayo sobre la música de todos (ed. Aharonián, 2007) [dummy HTML].
Vega, Carlos (1966). Mesomusic: an essay on the music of the masses (transl. Gilbert Chase & John Chappell). Ethnomusicology, Vol. 10, No. 1, Latin American Issue (Jan., 1966), pp. 1-17.
Vickers, Earl (2010). The
Loudness War: Background, Speculation and Recommendations. AES 129th
Convention, San Francisco, CA, USA, 2010-11-04/07 (27 pp.)
Walter Werzowa Music thing: TINY MUSIC MAKERS: Pt 1: The 'Intel Inside' chimes (‘marimbas sound corporate’, etc.)
WEBM conversions on line (both directions, MP3, MP4, etc. free)
Wicke, P. 1985. Sentimentality and high pathos: popular music in fascist Germany [html 35k]
Wicke, P. 2011/12 Authentizität als Mythos: zur Konstruktion von Authentizität in der Geschichte Blues [PDF 55k]
Wicke, P. 2011/12 Zwischen Aufführungspraxis und Aufnahmepraxis: Musikproduktion als Interpretation [PDF 62k ]
Wikiversity course in film scoring — introduction
Williams, R. 1976. Definitions of 'Popular'
Wise, T. 2007. Yodel Species: A Typology of Falsetto Effects in Popular Music Vocal Styles. Radical Musicology, vol. 2
Woodside Woods, J J. 2005. El impacto del sampleo en la memoria colectiva. Hacia una semiótica del sampleo? Trabajo terminal (licenciado) de la carrera de Comunicación Social, Universidad Autnoma Metropolitana, Unidad Xochimilco, Mxico.
Wyse, P. 2001. What's a nice tune like you doing in a place like this? The joys of the music library [9k HTML]
— 2004. Will the creator of modern music please stand up? It was Ike Turner who invented R&R! [Guardian]
