Scotch Snaps - The Big Picture
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Timings of sections and keywords
| 0:00:00 | Titles, intro |
| 0:01:15 | Language rhythm and definition |
| 0:02:39 | Comin' thru the Rye and Farewell Aragog (Harry Potter) |
| 0:03:30 | Strathspeys |
| 0:04:38 | Gaelic singing and place names (Scottish and Irish) |
| 0:06:49 | Andy Stewart and Harry Lauder: Road to the Isles |
| 0:07:39 | Bagpipes: Road to the Isles, music theory, The Inverness Gathering |
| 0:10:07 | Summary so far; language rhythm - Lombardy, English, Welsh |
| 0:11:51 | Hungarian, Bartók, incl. Divertimento (II) |
| 0:13:01 | Italian, Spanish, English language rhythms |
| 0:14:42 | Why Scotch Snaps are important. Metric puns in the Strathspey |
| 0:17:00 | Metric puns in West Africa, time line in kitchen |
| 0:18:13 | Polymetricity |
| 0:20:18 | Malaysian line dancing. Differences and similarities Scotland <-> W. Africa |
| 0:24:00 | Demographics: 3 sources of immigration to N. America |
| 0:27:12 | Central European view: similarity Soctland <-> W. Africa |
| 0:27:25 | Dvořák, New World Symphony and snaps, incl. Magnificent 7 |
| 0:29:57 | Cowboys; black & white, Burleigh, Oklahoma, Blazing Saddles, Civil War, rural poor |
| 0:31:33 | Robertson: Sallie Gooden into Carolina Chocolate Drops |
| 0:34:00 | Carolina Chocolate Drops; Joe Thompson and string band tradition |
| 0:35:08 | Slave and poor white populations; similarity of ‘Scotch´ and ‘Nigger’ melodies |
| 0:36:11 | Foster, Emmett, etc; further hybridisation |
| 0:37:52 | Mahalia Jackson: Roll Jordan Roll |
| 0:39:05 | Forced integration in church then segregation after abolition |
| 0:40:18 | Burleigh, spirituals, Fisk Jubilee Singers, musical apartheid, banjo, melismas, etc. |
| 0:41:52 | Hybridisation; Carolina Chocolate Drops: ‘all the cultures involved’ |
| 0:43:11 | Montage: James Brown, Ry Cooder, Stevie Wonder, Tom Jones, Woodie Guthrie, Buck Owens |
| 0:45:46 | ‘Teeown´, twang, Northamptonshire |
| 0:48:09 | Rural poor, poor laws, poaching, repression, banishment and deportation |
| 0:51:25 | Albion Country Band: Van Diemen’s Land |
| 0:54:05 | English before the Scots and Irish (Celtic?); high- and low-class speech; ‘rustic snaps’ |
| 0:55:57 | John Blow and Henry Purcell (Chacony in G minor) |
| 0:57:31 | Snaps fall out of favour: merchant classes in London, Rule Britannia, class difference |
| 0:58:57 | Upgrading music; importing composers |
| 0:59:58 | The Beggar’s Opera; upgrading, no snaps, Heart of Oak |
| 1:01:42 | US Independence; musical notions of England frozen |
| 1:03:31 | The English don’t exist musically! |
| 1:05:22 | ‘Celtic’, qu’est-ce que c’est? And ‘Celtic music’? |
| 1:08:28 | What music had English labourers in the Virginias actually heard? Did Brythonic influence English-language syntax and prosody? |
| 1:11:42 | Ethnicity, class and the snap |
| 1:13:24 | Final words |
| 1:14:06 | End credits |
| 1:14:53 | End |