T-Z
Tagg's (mainly) Popular Music Studies Bibliography Database
Rough dump, Friday 7 April 2006 - Explanations

A-F | G-M | N-S | T   U   V   W   X   Y   Z |

For language codes and related issues, see http//tagg.org/bib/BibXpln.htm

Tabouret, Jean. Intégrer l'analyse dans l'enseignement non-spécialisé. Secondo convegno europeo di analisi musicale. Dalmonte, Rosanna (ed); Baroni, Mario (ed). 1992, Trento: Università degli studi di Trento, Dipartimento di storia della civiltà europea: 509-518. ISBN·88·86135·09·2 (www.tagg.org/articles/trento91.html (1999)) [FR] MUSICOLOGY, MUS.ANALYS, CONFERENCE, MUSIC EDUC.

Tacuchian, Ricardo. Fundamentos teóricos do sistema-T. Debates, 1 (Agosto de 1997). 1997, Rio de Janeiro: Universidade do Rio de Janeiro, Centro de Artes e Letras, Programa de Pós-Graduação em Música Brasileira: 43-66. ISBN·1414·7939 [PG] COMPOSE, PITCH, HARMONY, NOTATION.

Tacuchian, Ricardo. Uma Trilogia Sinfônica. Debates, 3 (Março de 1999). 1999, Rio de Janeiro: Centro de Letras e Artes, Uni-Rio: 7-24. ISBN·1414·7939.

Tadday, Ulrich. Systhemtheorie und Musik. Luhmanns Variante der Autonomieästhetik. Musik und Ästhetik, 1/2. Mahnkopf, Claus-Steffen (ed). 1997, Stuttgart: Klett-Cotta: 13-34. ISBN·3·608·98576·X Discussion of theories put forward by Niklas Luhmann (Univ of Bielefeld) about the aesthetics and sociology of music [DE] AESTHETICS, SOCIOLOGY.

Taeko, Kusano. Unknown Aspects of Korean influence on Japanese Folk Music. Yearbook for Traditional Music, 25. 1983, New York: International Council for Traditional Music: 31-37 [EN] KOREA, JAPAN, FOLK MUSIC, ANTHROPOL., MUSICOLOGY.

Taft, Michael. Blues Lyric Poetry: a Concordance. 1984, New York & London: Garland (3000p) 3 vols. Companion to Taft's `Blues Lyric Poetry' [EN] BLUES, LYRICS, REFERENCE.

Tagawa, Tadasu. Nihon no folk & rock shi. 1982, Tokyo: Ongaku-no-tono-Sha (198p) [JP] JAPAN, FOLK MUSIC, ROCK, 1960S, 1970S, MUSIC HIST.

Tagg, Philip. Pop i örat. 1975, Stockholm: Sveriges Radio/UTR Prod. Nr. 5924 (26+62p). ISBN·91·26·05294·6 Elevhäfte/Pupils' booklet + Lärarhandledning/Teaching manual + 6 20 minute radio programmes: (1) Mångfalden i Sverige. (2) Två radiostationer i USA. (3) Från 'Blue Tango' till Pugh Rogefält. (4) Hur förpackas musiken? (5) Bakgrunder. (6) Varför gå omvägar? 6 7½" reels, nºs E24-E29 [SV] ROCK, RADIO, EDUC ITEM, YOUTH, SWEDEN, C&W, ADVERTS, AFR-AMER., SCHLAGER, BUSINESS. [MUSIC·BUSINESS; 1970s; MoR; POPOL·VUH].

Tagg, Philip; Malmström, Dan; Silén, Lars. Country and Western. Sohlmans musiklexikon, 2. 1975, Stockholm: Sohlmans Förlag: 141-144. ISBN·91·7198·020·2 (2nd ed) [EN] C&W, USA, MASS MEDIA, 1930S, 1940S, MUSICOLOGY, MUS INDUST, POSTWAR.

Tagg, Philip. Populärmusik och medierna. 1977, Stockholm: ABF (15p) [SV] MASS MEDIA, CULTPOLIT., ROCK, MUS INDUST, HISTORY, MANUSCRIPT.

Tagg, Philip; Norlen, Håkan. Amerikansk schlager 1890-1950 (radio progr). 1977, Stockholm: Sveriges Radio (P3) (30 mins.p) [SV] USA, 1900-1909, RADIO, MUS INDUST, LYRICS, SCHLAGER, ADVERTS, NOTATION, 1890S, FILM.

Tagg, Philip; Thorsen, Stig-Magnus. Musiksociologisk multi-media-show avslöjar den kommersiella musiken. Götheborgske Spionen, 798118. 1978, Göteborg: FFS: 8-9 [SV] MASS MEDIA, INTERVIEW, PT, 1970S, MUS INDUST, CULT.STUDY, Gbg.Mvet..

Tagg, Philip. Kojak - 50 sekunders musik i svensk TV. Ett pilotstudium i populärmusikalisk affekt analys. 1978, Göteborg: Musikvetenskapliga institutionen (170p) (Provisional thesis draft).

Tagg, Philip. Kojak: 50 Seconds of Television Music. Towards the Analysis of Affect in Popular Music. 1979, Göteborg: Musikvetenskapliga institutionen vid Göteborgs universitet (301p). ISBN·91·7222·235·2 Reviewed by Andreas Ballstaedt in Die Musikforschung 34/4: 511 (CP754073), in Svensk tidskrift för Musikforskning 1979/ 1 (nº61):106 by Bill Brooks (@CP752229), in Studia Musicologica Academiae Scientiarum Hungaricae 24 (1982): 255-256 by János Maróthy), by Krister Malm in Tonfallet , by Leo Sanama in Haagse Post 31 May 1980:54-55, by Mark Steedman in Popular Music, 1: 185-187. Notice in Scanorama June/July 1979 and in DN/TV by Glanzelius [EN] MUSICOLOGY, MUSIC EXX., MUS.ANALYS, FILM MUSIC, TELEVISION, SEMIOTICS, MEDIA IND., TITLE MUS., AFFECT, VVA.

Tagg, Philip. Musikens makt. 1979, Luleå: Rikskonserter - Övre Norrland (8p) [SV] EDUC ITEM, MUSIC EXX., MUS.ANALYS, YOUTH, STATISTICS, ADVERTS, ROCK.

Tagg, Philip; Malm, Krister; Tegen, Martin; Silén, Lars. Popmusik. Sohlmans musiklexikon, 5. 1979, Stockholm: Sohlmans Förlag: 90-100. ISBN·91·7198·020·2 (2nd ed) [SV] ROCK, HISTORY, MUSIC EXX., DEFINE, USA, UK, MUS INDUST, POSTWAR, RECORDING, MUSICOLOGY.

Tagg, Philip. De musikaliska kodernas makt. Musikdramatik, 05/6. 1979, Stockholm: Tidskriften Musikdramatik: 24-25 [SV] FILM MUSIC, TITLE MUS., TELEVISION, FILM, HERO(IN)ES, MUSIC EXX..

Tagg, Philip. Så påverkas vi av musiken. Österssundsposten 1979-10-30. 1979, Östersund: Östersundsposten [SV] INTERVIEW, EDUCATION, SWEDEN, MUSIC EDUC.

Tagg, Philip. "Fernando" - Analyse af affekt i ABBA's "Fernando". Dansk Musiktidskrift, 1979/3. 1979, Köbenhavn: Dansk Tonekunstnerselskab: 124-156 [DK] ABBA, MOR, AFFECT, MUSICOLOGY, MUSIC EXX., 1970S, L AMERICA, SEMIOTICS, POLITSTUDY, MUS.ANALYS.

Tagg, Philip (1979). Kretzschmar and the hermeneutics of music; The semiology of music. Musik og betydningsinhold - kompendium i musikæstetik. Druud-Nielsen, Per (ed). 1987, Ålborg: Institut for musik og musikterapi, AUC: 63-77 from part 1 of `Kojak, 50 Seconds of Television Music' (Göteborg 1979) [EN] AESTHETICS, MUSICOLOGY, EUROARTMUS, MOD.CLASS., FILM MUSIC, AFFECT, SEMIOTICS, DEFINE.

Tagg, Philip. Musik till bild - ett världspråk av stereotyper. Bild och Musik. Allander, Bertil (ed). 1980, Stockholm: Sveriges Radio Personalutbildning: 7-17 [SV] AFFECT, EDUCATION, FILM MUSIC, TELEVISION.

Tagg, Philip (ed). Film Music, Mood Music and Popular Music Research. Interviews, Converations, entretiens. 1980, Göteborg: Stencilled Papers from the Musicology Department, #8002 (90p). ISSN·0349·3407 [EN] INTERVIEW, MOOD MUSIC, FILM MUSIC, PRODUCERS, CONNOTE, CATALOGUE, SEMIOTICS, SYMPHONY, AFFECT, ADVERTS.

Tagg, Philip (ed). Från motkultur till företagsamhet. 1980, Göteborg: Stencilled Papers from the Musicology Department (33p) "From counter-culture to big business". Summary of Chapple and Garofalo's "Rock 'n' Roll is Here to Pay" [SV] MUS INDUST, USA, ROCK, HISTORY, CAPITALISM, CULTPOLIT., MASS MEDIA.

Tagg, Philip. Fernando the Flute. Analysis of Affect in an Abba Number. 1981, Göteborg: Stencilled Papers from the Musicology Department, 8106 (59p). ISSN·0349·3407 [EN] MOR, SWEDEN, MUS.ANALYS, SEMIOTICS, AFFECT, SYMPHONY, CHILE, 1970S, MUSIC EXX..

Tagg, Philip. On the Specificity of Musical Communication. Guidelines for Non-Musicologists. 1981, Göteborg: Stencilled Papers from the Musicology Department, #8115 (23p). ISSN·0349·3407 [EN] DEFINE, PSYCHOLOGY, ACOUSTICS, NEUROLOGY, MUSICOLOGY, AESTHETICS, SEMIOTICS, EDUC ITEM.

Tagg, Philip. The Analysis of Title Music as a Method of Decoding Implicit ideologies in the Mass Media. Mass Communications & Culture, 5. Andrén, Gunnar (ed); Strand, Hans (ed). 1981, Stockholm: Akademi Litteratur: 90-105. ISBN·91·7410·201·X [EN] TITLE MUS., MUSICOLOGY, FILM MUSIC, TELEVISION, CULTPOLIT., SEMIOTICS, KOJAK.

Tagg, Philip. Muzikale wasverzachters Ä Beinvloeding door populaire muziek. 1981, Amersfoort: NSKV (schrift 17) (15p) [NL] MUS INDUST, EDUC ITEM, ROCK, ADVERTS, MUZAK, FILM MUSIC, SYMPHONY, MASS MEDIA, NETHERLAND.

Tagg, Philip. Analiza muzyki czolowki filmowej jako metoda dekodawania ukrytego przekazu ideologicznego. Przekazy i opninie, 3(25). 1981, Warszawa: OBOPSP (Polish Radio & TV): 66-79 [PL] POLAND, KOJAK, SYMPHONY, FILM MUSIC, TELEVISION, MUSICOLOGY, SEMIOTICS.

Tagg, Philip. Music Teacher Training Problems and Popular Music Research. Popular Music Perspectives, 1. Horn, David (ed); Tagg, Philip (ed). 1982, Göteborg and Exeter: IASPM: 232-242. ISBN·91·7260·610·X [www.tagg.org/articles/pmpsamus.html] [EN] IASPM, G™TEBORG, GMH, MUSIC EDUC, ROCK, SKILLS, GENRES, 1970S, CULTPOLIT..

Tagg, Philip. Nature as a Musical Mood Category. 1982, Göteborg: IASPM Internal Publications 8206. http://www.tagg.org/articles/nature.pdf [1998] (35p) [EN] NATURE, MOOD MUSIC, SYMPHONY, AFFECT, POLITSTUDY, PRODUCERS, COMMUNTHEO, SEMIOTICS, AESTHETICS, PERCEIVE.

Tagg, Philip. Natur i massmediemusik. Naturen som symbol. Allwood, Jens (ed); Frängsmyr, Tore (ed); Svedin, Uno (ed). 1982, Stockhom: Liber: 161-199. ISBN·93·98·90239·7 [SV] NATURE, MOOD MUSIC, SYMPHONY, AFFECT, POLITSTUDY, PRODUCERS, COMMUNTHEO, SEMIOTICS, AESTHETICS, PERCEIVE.

Tagg, Philip. Populaarimusiikin affektianalyysi - rapporti musiikin sisältöanlyysin uusista menetelmistä. Musiikin Soivat Muodot. Tarasti, Eero (ed). 1982, Jyväskylä: Yliop:n mus.tt:n laitoks. A/2: 147-180. ISBN·951·678·830·0 [SF] TITLE MUS., MUSICOLOGY, DEFINE, TELEVISION, FILM, KOJAK, SEMIOTICS, MUS.ANALYS, METHODOL., FINLAND.

Tagg, Philip. Analysing Popular Music - Theory, Method and Practice. Popular Music, 02. 1982, Cambridge: Cambridge University Press: 37-69 in Japanese tin ISBN 4-276-23051-9 C1073 (="What is Popular Music?") and in Reading Pop (Middleton 2000) [EN] AFFECT, POPULARMUS, MUSICOLOGY, DEFINE, MUSIC EXX., ABBA, KOJAK, SEMIOTICS, POLITSTUDY.

Tagg, Philip. Music Teacher Training Problems and Popular Music Research. Popular Music Perspectives, 1. Horn, David (ed); Tagg, Philip (ed). 1982, Göteborg and Exeter: IASPM: 232-242. ISBN·91·7260·610·X [EN] IASPM, EDUCATION, POPULARMUS, EUROARTMUS, SWEDEN, G™TEBORG, 1970S, POLITSTUDY, CULTPOLIT..

Tagg, Philip (ed); Horn, David (ed). Popular Music Perspectives. Papers from 1st Conference on Popular Music Research.1982, Göteborg & Exeter: IASPM (250p). ISBN·91·7260·610·X [EN] IASPM, PT, REPORT, ROCK, AESTHETICS, SOCIOLOGY, MUSICOLOGY, CULTPOLIT., ANTHOLOGY, CONFERENCE.

Tagg, Philip (ed);. Horn, David (ed). Popular Music Perspectives: Papers From the First International Conference on Popular Music Research, Amsterdam, June 1981. 1982, Gothenburg & Exeter: IASPM (250p) [EN] CONFERENCE, RESEARCH, POPULARMUS.

Tagg, Philip. 'Priroda' jako kategorie hudebni nalady. Opus musicum, 1983/10. 1983, Brno: Vydavi Statni filharmonie, Cesky hudebni fond...: 295-304 [CS] NATURE, MOOD MUSIC, SYMPHONY, AFFECT, POLITSTUDY, PRODUCERS, COMMUNTHEO, SEMIOTICS, AESTHETICS, PERCEIVE.

Tagg, Philip. Understanding 'Time Sense': concepts, sketches, consequences. Tvärspel - 31 artiklar om musik. Festskrift till Jan Ling. 1984, Göteborg: Skrifter från Musikvetenskapliga institutionen, 9: 21-43. ISBN·91·85974·02·1 (Expanded version, www.tagg.org/articles/timesens.pdf (1999)) [EN] TIME/SPACE, HISTORY, MUSICOLOGY, CULTPOLIT., PHILOSOPHY, MUZAK, INDIA, Ling Item, DJS.

Tagg, Philip. Musica popolare, innovazione, tecnologia. Musica/realtà, 13. 1984, Milano: Unicopli: 89-98 [IT] MUZAK, INNOVATE, DEFINE, ROCK, FILM MUSIC, CULTPOLIT., IASPM, AESTHETICS, ADVERTS, PROGRESSIV.

Tagg, Philip; Malm, Krister. Musiken i massmediautvecklingen. Tonfallet, 1984/4 (April). 1984, Stockholm: Rikskonseter: 4-5 Interviewed by Karl-Ola Nilsson [SV] MASS MEDIA, INTERVIEW, PT, 1970S, MUS INDUST, CULT.STUDY.

Tagg, Philip. Understanding "Time Sense": Concepts, Sketches, Consequences. Tvärspel - 31 artiklar om musik. Festskrift till Jan Ling. 1984, Göteborg: Skrifter från Musikvetenskapliga institutionen, 9: 21-43. ISBN·91·85974·02·1 (Expanded version, www.tagg.org/articles/timesens.pdf (1999)) [EN] TIME/SPACE, HISTORY, MUSICOLOGY, CULT.STUDY, SEMIOTICS, POLITSTUDY, MUZAK, INDIA, MEDIEVAL, ROCK.

Tagg, Philip. Musiken - språket som alla förstår? Fallet med "dödsmusiken". Tvärkulturell kommunikation. 1985, Göteborg: Lingvistiska institutionen, PAL 12: 220-248. ISBN·91·970558·1·6 [SV] DEATH, COMM.STUDY, MUSICOLOGY, POLITSTUDY, AFFECT, HISTORY, FILM, CULT.STUDY, CHILE.

Tagg, Philip. La musicologie et la sémantique de la musique populaire. Analytica. Studies in the Description and Analysis of Music. 1985, Stockholm: Kungliga Musikaliska Akademien: 77-96. ISBN·91·85428·40·X [FR] MUSICOLOGY, PHILOSOPHY, AESTHETICS, SEMIOTICS, DEFINE.

Tagg, Philip. Il 'senso del tempo' nella musica. Definizioni, esempi, proposte. Musica e sistema dell'informazione in Europa. Rampi, Francesco (ed). 1985, Milano: Unicopli: 103-129. ISBN·88·7061·885·4 [IT] TIME/SPACE, MUSICOLOGY, HISTORY, AESTHETICS, SEMIOTICS, PHILOSOPHY, MUZAK.

Tagg, Philip. Why IASPM? Which Tasks? Popular Music Perspectives, 2. Horn, David (ed). 1985, Göteborg, Exeter: IASPM: 501-507. ISBN·91·87030·00·4 [EN] IASPM, CULTPOLIT., POLITSTUDY, ORGANISE, IDEALISM, INTERNATNL.

Tagg, Philip. Perché la IASPM? Quali compiti? What is Popular Music? Quaderni di Musica/realtà, 8. 1985, Milano: Unicopli: 539-546. ISBN·88·7061·894·3 [IT] IASPM, CULTPOLIT., POLITSTUDY, ORGANISE, IDEALISM, INTERNATNL.

Tagg, Philip; Fabbri, Franco. Programma della conferenza. What is Popular Music? Quaderni di Musica/realtà, 8. 1985, Milano: Unicopli: 17-24. ISBN·88·7061·894·3 [IT] DOCUMENT, IASPM, CONFERENCE.

Tagg, Philip. Zur Analyse von populärer Musik. Beiträge zur Musikwissenschaft, 1985/3-4. 1985, Berlin: Verlag Neue Musik: 241-264. ISSN·0005·8106 [DE] MUSICOLOGY, SEMIOTICS, MUSIC EXX., METHODOL., DEFINE, ABBA, KOJAK, POLITSTUDY.

Tagg, Philip. Address on the State of the Association.(about IASPM; online 1999). 1985, Montréal: 11 [EN] IASPM, PT, CANADA, POLITSTUDY, CULTPOLIT..

Tagg, Philip. Musikvetenskap och populärmusikens semiotik. 1986, Göteborg: Stencilled Papers from the Musicology Department, 8601 (38p). ISSN·0349·3407 [SV] POPULARMUS, MUSICOLOGY, SEMIOTICS, DEFINE.

Tagg, Philip. Musik som kommunikation. Mänsklig kommunikation. 1986, Göteborg: Skriftserien GULING Nr 14: 116-131. ISBN·91·970558·3·2 [SV] COMMUNTHEO, EUROARTMUS, ROCK, MUZAK, TIME/SPACE, GENRES, SEMIOTICS, CULT.STUDY, DEFINE, POLITSTUDY.

Tagg, Philip. Reading Sounds. An Essay on the Soundscape and Music, Knowledge and Society. 1987, Göteborg: IASPM-Norden Working Papers (13p) [EN] DEFINE, PHILOSOPHY, PSYCHOLOGY, MUSICOLOGY, ANTHROPOL., MELODY, SOUNDSCAPE, ROCK, EUROARTMUS, GENRES.

Tagg, Philip. Musicologia, semiotica, "popular music". Il senso in musica. Marconi, Luca (ed); Stefani, Gino (ed). 1987, Bologna: Cooperativa Libraria Universitaria Editrice Bologna: 139-150 [IT] SEMIOTICS, DEFINE, MUSICOLOGY, POPULARMUS.

Tagg, Philip. Le città sono come impianti stereo a bassa fedeltà. Essere, 16 (agosto 1987). 1987, Torino: Essere: 60-69 [IT] SOUNDSCAPE, ROCK, DEFINE, SOUND, PHILOSOPHY, PSYCHOLOGY.

Tagg, Philip. Musicology and the Semiotics of Popular Music. Semiotica, 66-1/3. 1987, Amsterdam: Mouton de Gruyter: 279-298. ISSN·0037·1998 [EN] MUSICOLOGY, SEMIOTICS, POPULARMUS, DEFINE, MASS MEDIA, AFFECT.

Tagg, Philip. Report on fourth IASPM conference in Accra, Ghana (1987) 1987, IASPM (http://www.taggs.freeserve.co.uk/html/ghanarpt.html (1997)) [EN] AFRICA, IASPM, CULTPOLIT., DOCUMENT, PT, W AFRICA, INTERNATNL.

Tagg, Philip. Musiken som kommunikationsform. Kulturmöten, kommunikation, skola. 1988, Stockholm: Nordstedts: 133-153. ISBN·91·1·873572·X [SV] SEMIOTICS, SOUND, EUROARTMUS, POPULARMUS, ROCK, SOUNDSCAPE, ANTHROPOL., MUSICOLOGY, DEFINE.

Tagg, Philip. Leggere i suoni. Saggio sul paesaggio sonore e la musica, la conoscenza, la società. Musica/Realtà, 25. 1988, Milano: Unicopli: 145-160. ISBN·88·7061·917·6 Originariamente preparato per il quotidiano "L'Unità", agosto 1986 [IT] SOUNDSCAPE, ROCK, DEFINE, SEMIOTICS, EUROARTMUS, ANTHROPOL., PHILOSOPHY. [SCHAFER·R·M].

Tagg, Philip. Lettera aperta sulla "musica nera", "afro-americana" ed "europea". Musica/Realtà, 29. 1989, Milano: Unicopli: 53-80. ISBN·88·400·0184·0 [IT] AFR-AMER., EUROPE, RACISM, POLITSTUDY, MUSICOLOGY, BLUES, IDEALISM, AFRICA, USA, PSYCHOLOGY. [ADORNO·Th·W; RANDGEBIET].

Tagg, Philip. Bibliographical coverage of popular music in periodicals. A general sketch of resources and ideas for co-ordination. Riviste musicali in Europa, 1/1. 1989, Roma, Milano: Cidim, Musica/Realtà: 205-209. ISBN·88·400·0186·7 [EN] BIBLIOGR., EUROPE, POPULARMUS.

Tagg, Philip. Musica popolare, innovazione, tecnologia. Quaderni di Musica/Realtà, 23. 1989, Milano: Unicopli: 34-43. ISBN·88·7061·927·3 (Generi musicali / Media / Popular Music) [IT] POPULARMUS, DEFINE, INNOVATE, TECHNOLOGY, MUZAK, FILM MUSIC, ROCK.

Tagg, Philip. Leggere i suoni. Saggio sul paesaggio sonoro e la musica, la conoscenza, la società. Quaderni di Musica/Realtà, 23. 1989, Milano: Unicopli: 168-183. ISBN·88·7061·927·3 (Generi musicali / Media / Popular Music) [IT] SOUNDSCAPE, DEFINE, PHILOSOPHY, EUROARTMUS, ROCK, TECHNOLOGY, SEMIOTICS.

Tagg, Philip. Open letter: Black music, Afro-American and European music. Popular Music, 08/3. 1989, Cambridge: Cambridge University Press: 285-298. ISBN·0·521·38919·4 First written in 1987. Also published in Italian in Musica/Realtà, 29 (spring 1989). English online http://tagg.org/articles/opelet.html; French version http://tagg.org/articles/xpdfs/LettrOuvMR1.pdf [EN] AFRICA, EUROPE, USA, L AMERICA, MUSICOLOGY, POLITSTUDY, RACISM, DEFINE.

Tagg, Philip. Myth and TV Music Stereotypes. Abstract for Ethnomusicology Conference, Cambridge, 5-10 August 1989. Unpublished typescript. 1989, Göteborg: : 1 [EN] ANTHROPOL., SEMIOTICS, TELEVISION, MYTHOLOGY.

Tagg, Philip. Toca más fuerte, no oigo. La Brecha, 1989-09-15. 1989, Montevideo: 13 Viernes 15 de setiembre de 1989. El seminario, La hora popular.

Tagg, Philip (ed). DOPMUS. Documentation of Popular Music Studies. 1989, Göteborg: IASPM (Norden) (xx+280p). ISBN·91·87030·01·2 1st, limited and preliminary edition, containing bibliographical references to 2310 works about popular music [EN] BIBLIOGR., POPULARMUS.

Tagg, Philip. "Universal" Music and the Case of Death. La musica come linguaggio universale. Pozzi, Raffaele (ed). 1990, Firenze: Leo S. Olschki: 227-266. ISBN·88·222·3748·X [EN] SEMIOTICS, MUSICOLOGY, MUSIC EXX., DEATH, ANTHROPOL., EUROPE, AFRICA.

Tagg, Philip. Music in Mass Media Studies. Reading Sounds for Example. Popular Music Research. Roe, Keith (ed); Karlsson, Ulla (ed). 1990, Göteborg: NORDICOM-Sweden, Nº 1-2 1990: 103-114. ISSN·0349·1242 (www.tagg.org/artricles/readsound.html (1999)) [EN] SOUNDSCAPE, EUROARTMUS, DEFINE, MUSICOLOGY, MUSIC EDUC, ROCK.

Tagg, Philip. Review of Gillian Anderson's "Music for Silent Films 1894- 1924: A Guide". Popular Music, 09/1. 1990, Cambridge: Cambridge University Press: 148-149. ISBN·0·521·39944·0 [EN] FILM MUSIC, REVIEW, SILENTFILM.

Tagg, Philip. Essay Review. Origins of the Popular Style: the Antecedents of Twentieth-Century Popular Music by Peter van der Merwe. Popular Music, 09/3. 1990, Cambridge: Cambridge University Press: 375-380. ISBN·0·521·39943·2 [EN] USA, AFRICA, ARABIC, UK, CELTIC, REVIEW, MUSICOLOGY, RACISM. [MERWE·Peter·van].

Tagg, Philip. Reading Sounds (Music, Knowledge, Rock and Society) Ré Records Quarterly, 3/2. 1990, London: November Books / RéR Megacorp: 4-11. ISSN·0954·8807 [EN] SOUNDSCAPE, ROCK, EUROARTMUS.

Tagg, Philip. An Anthropology of Television Music? Svensk tidskrift för musikforskning, 1989. 1990, Göteborg: : 19-42 (www.tagg.org/articles/tvanthro.pdf (1999)) [EN] SEMIOTICS, TELEVISION, POPULARMUS, EUROARTMUS, AFFECT, WOMEN, POLITSTUDY.

Tagg, Philip. Un approccio antropologico per gli stereotipi presenti nella musica della TV. Musica/Realtà, 33. 1990, Milano: Unicopli: 85-116. ISBN·88·400·0226·X [IT] ANTHROPOL., SYMPHONY, TELEVISION, FILM MUSIC, TITLE MUS., AFFECT, STATISTICS.

Tagg, Philip. Fernando the Flute. 1991, Liverpool: Institute of Popular Music, University of Liverpool (vii+172p) Musical meaning in an Abba mega-hit [EN] SEMIOTICS, MUSICOLOGY, L AMERICA, POLITICS, SWEDEN, POLITSTUDY, AFFECT, MUSIC EXX., ILL., ABBA.

Tagg, Philip. Muzak, sigle televisive, temi conduttori e musiche da film. Cinema & cinema, 18/60 (Audiofane - Voci, rumori e musica del cinema). 1991, Bologna: CLUEB: 77-86 [IT] FILM MUSIC, HOLLYWOOD, EUROARTMUS, ROMANTIC, IMPRESSNSM, HISTORY, AESTHETICS, AFFECT.

Tagg, Philip. Musiikki joukkoviestinnän tutkimuksessa. Toosa Soi. Musiiki radion kilpailuvälineenä. Salminen, Kimmo (ed); Alm, Ari (ed). 1992, Helsinki: YLE Tutkimus ja kehitysosasto: 329-343. ISBN·951·43·0557·4 [SF] MASS MEDIA, RESEARCH, SOUNDSCAPE.

Tagg, Philip. Towards a sign typology of music. Secondo convegno europeo di analisi musicale. Dalmonte, Rosanna (ed); Baroni, Mario (ed). 1992, Trento: Università degli studi di Trento, Dipartimento di storia della civiltà europea: 369-378. ISBN·88·86135·09·2 (www.tagg.org/articles/trento91.html (1999)) [EN] SEMIOTICS, DEFINE, AFFECT, CONFERENCE, POPULARMUS, FILM MUSIC, EUROARTMUS.

Tagg, Philip. `Universal' music and the case of death. Critical Quarterly, 35/2. 1993, Oxford: Blackwell: 54-85. ISSN·0011·1562 (www.tagg.org/articles/deathmus.pdf) [EN] DEATH, SEMIOTICS, MUSICOLOGY, ANTHROPOL., POLITICAL.

Tagg, Philip. Tramonta la figura, emerge lo sfondo. La musica del rave. Progetto Uomo - Musica, 5 (Identità musicali). 1994, Assisi: Edizioni Musicali Pro Civitate Christiana: 95-99 [IT] DANCE, MUSICOLOGY, SWEDEN, SEMIOTICS.

Tagg, Philip. From refrain to rave: the decline of figure and the rise of ground. Popular Music, 13/2. 1994, Cambridge: Cambridge University Press: 209-222. ISSN·0261·1430 http://tagg.org/articles/pmusrave.html [EN] SEMIOTICS, IDEOLOGY, ROCK, TECHNOLOGY, YOUTH, MUSICOLOGY. [Mellers,·W].

Tagg, Philip. Subjectivity and soundscape, motorbikes and music. Soundscapes. Essays on Vroom and Moo. Järviluoma, Helmi (ed). 1994, Tampere: Department of Folk Tradition: 48-66. ISBN·951·44·3541·9 (www.tagg.org/articles/virrat.html) [EN] SOUNDSCAPE.

Tagg, Philip; Agostini, Roberto (ed); Marconi, Luca (ed). Popular music. Da Kojak al Rave. 1994, Bologna: CLUEB (Cooperativa Libraria Universitaria Editrice Bologna) (424p). ISBN·88·8091·044·2.

Tagg, Philip. Vers une musicologie de la télévision. Frank Martin, musique et esthétique musicale. Actes du colloque de La Chaux-de-Fonds 1990. Émery, Éric (ed). 1995, Neuchâtel: Revue Musicale de Suisse romande: 33-60 (http://www.taggs.freeserve.co.uk/html/gonseth.html (1998)) [FR] MUSICOLOGY, SEMIOTICS, ANTHROPOL., MEN, WOMEN, FILM MUSIC, TELEVISION, CONFERENCE.

Tagg, Philip. Dal ritornello al `rave': tramonta la figura, emerge lo sfondo. Annali del Istituto Gramsci Emilia-Romagna, 2/1994. 1995, Bologna: Istituto Gramsci Emilia-Romagna: 158-175 [IT] CONFERENCE, ROCK, SYNTHS, HOUSE/RAVE, TECHNOLOGY, SEMIOTICS.

Tagg, Philip; Flender, Biene (tr). Beitrag zu einer Typologue des musikalischen Zeichens. Forum Musik Wissenschaft, 1. Heuger, Markus (ed); Prell, Matthias (ed). 1995, Regensburg: Verlagsgesellschaft ConBrio: 35-46. ISBN·3·930079·73·9 [DE] PERFORM, MUS INDUST, GERMANY, USA.

Tagg, Philip. Beitrag zu einer Typologie des musikalischen Zeichens. Forum Musik Wissenschaft 1. Popmusik Yesterday Today Tomorrow. Heuger, Markus (ed); Prell, Matthias (ed). 1995, Regensburg: ConBrio Verlagsgesellschaft: 35-46. ISBN·3·930079·73·9 (9 Beiträge von 8 Internationalen Studentischen Symposium für Musikwissenschaft in Köln, September 1993) [DE] SEMIOTICS, DEFINE.

Tagg, Philip. La musica nel 2017. Un'utopia britannica rovesciata. Musica/Realtà, 50. 1996, Lucca: Libreria musicale italiana: 13-19. ISBN·3·378·01030·4 [IT] UK, LITERATURE, BUSINESS, POLITICS, CULTPOLIT..

Tagg, Philip. Music 2017 - A British Dystopia. 1996, http://www.taggs.freeserve.co.uk/html/dystop96.html orig. 1993 for IASPM Salford conference. Updated 1996 for Carlsberg Future Studies seminars.

Tagg, Philip. Mass Media Music Studies versus 'The Other'. 1996, www.tagg.org/articles/cascais.html Paper delivered on 14 December 1996 at symposium 'Music and Life-world. Otherness and Transgression in the Culture of the 20th Century. In memoriam Fernando Lopes-Graça (1906-1994)', Cascais, Portugal.

Tagg, Philip. Closing remarks, IASPM 9th international conference, Kanazawa, Japan, 31 July 1997. 1997, http://www.taggs.freeserve.co.uk/html/kanazawa.html [EN] IASPM, JAPAN, CONFERENCE, PT.

Tagg, Philip (ed); Shepherd, John (ed); Horn, David (ed); Laing, Dave (ed); Oliver, Paul (ed); Wicke, Peter (ed); Wilson, Jennifer (ed). Popular Music Studies - a select international bibliography. 1997, London & Washington: Mansell (18+450p). ISBN·0·7201·2344·5 8349 work titles, author index, subject index [EN] BIBLIOGR., REFERENCE.

Tagg, Philip. Analysing music in the media. An epistemological mess. Music on Show: Issues of Performance. Hautamäki, Tarja (ed); Järviluoma, Helmi (ed). 1998, Tampere: Department of Folk Tradition: 319-329. ISBN·951·44·4290·3 [EN] IASPM, CONFERENCE, METHODOL., DEFINE, MUSICOLOGY, CULT.STUDY, EDUCATION, SEMIOTICS.

Tagg, Philip. The Göteborg connection: lessons in the history and politics of popular music education and research. Popular Music, 17/2. 1998, Cambridge: Cambridge University Press: 219-242 (www.tagg.org/articles/gbgconnect.html) [EN] EDUCATION, MUSIC EDUC, CULTPOLIT., RESEARCH, SWEDEN, UK, G™TEBORG, IASPM, BIBLIOGR., GERMANY. [POLITICS; Ling,·Jan; Emsheimer,·E; Adorno,·Th·W].

Tagg, Philip. Tritonal crime and "music as 'music'". Norme con ironie. Scritti per i settant' anni di Ennio Morricone. Miceli, Sergio (ed); Gallenga, Laura (ed); Kokkaliari, Lena (ed). 1998, Milano: Suvini Zerboni: 273-312 (www.tagg.org/articles/morric70.pdf) [EN] SEMIOTICS, MUSICOLOGY, MUSIC EXX., MUS.ANALYS, CRIME, HARMONY, MELODY, FILM MUSIC.

Tagg, Philip. "Music and Cultural Theory" by John Shepherd and Peter Wicke: an essay review. Popular Music, 17/3. 1998, Cambridge: Cambridge University Press: 331-348. ISSN·0261·1430 (Germany volume) Also as http://www.taggs.freeserve.co.uk/html/shepwik1.html (1998) [EN] CULT.STUDY, MUSICOLOGY, REVIEW, DEFINE, CRITIQUE.

Tagg, Philip. David Brackett: Interpreting Popular Music (Review) American Music, 16/2. 1998, Champaign: Sonneck Society and The University of Illinois Press: 224-227. ISSN·0374·4392.

Tagg, Philip; Socha, Ireneusz (tr). Od refrenu do rave'u: pomniesjazanie figury i uwydatnianie tl@@a - przel @@oz<.yl@@. Studium, 15-16 (Nr 1-2, 1999). 1999, Krakow: Mloda Litesatura czeska i slowacka: 208-236. ISBN·1425·1574 (Dwumiesiecznik Literacko-artystyczny).

Tagg, Philip; Ulhôa, Martha Tupinambá de. Entrevista com Philip Tagg. Debates, 3 (Março de 1999). 1999, Rio de Janeiro: Centro de Letras e Artes, Uni-Rio: 81-96. ISBN·1414·7939 [PG] SEMIOTICS, MUS.ANALYS, MUSIC EDUC, POPULARMUS, IDEOLOGY, DEFINE.

Tagg, Philip. Analysing Popular Music: Theory, Method, Practice. Reading Pop. Approaches to Textual Analysis in Popular Music. Middleton, Richard (ed). 2000, Oxford: Oxford University Press: 71-103. ISBN·0·85323·835·9 [EN] AFFECT, POPULARMUS, MUSICOLOGY, DEFINE, MUSIC EXX., ABBA, KOJAK, SEMIOTICS, POLITSTUDY.

Tagg, Philip. The Work: An Evaluative Charge. The Musical Work. Reality or Invention. Talbot, Michael (ed). 2000, Liverpool: Liverpool University Press: 153-167. ISBN·0·85323·835·9 (Reviewed in Popular Music, 21/2: 238-9 by Allan Moore) www.tagg.org/articles/workcnpt.html.

Tagg, Philip. Fernando the Flute. 2000, New York: Media Music Scholars' Press (140p). ISBN·0·9701684·1·1 (2nd edition) Analysis of musical meaning in an Abba mega-hit.

Tagg, Philip. Kojak - 50 Seconds of Television Music (Towards the Analysis of Affect in Popular Music). 2000, New York: Mass Media Music Scholars' Press (424p). ISBN·0·9701684·0·3 (2nd ed.).

Tagg, Philip. Un approccio etico alla cultura mediale. Musica Domani, 116. 2000, Torino: EDT: 30-31. ISSN·0391·4380 [IT] MUSIC EDUC, POPULARMUS.

Tagg, Philip. High and Low, Cool and Uncool, Music and Knowledge. Conceptual falsifications and the study of popular music. 2000, Liverpool: www.tagg.org/articles/iaspmuk2000.html (Keynote speech, IASPM UK conference, Guildford, July 2000).

Tagg, Philip. High and Low, Cool and Uncool: aesthetic and historical falsifications about music in Europe. Bulgarian Musicology, 2/2001. Levy, Claire (ed). 2001, Sofia: Bulgarska Akademiya na Naukute -Institut za izkustvoznanie: 9-18. ISSN·0204·823X (Internatioinal Seminar 'Popular Music Today: Objects, Practices, Approaches', Sofia 23-24 June 2000) www.tagg.org/articles/sofia2000.html [EN] AESTHETICS, POPULARMUS, DEFINE, HISTORY, IASPM, IDEOLOGY, EUROARTMUS, DEFINE.

Tagg, Philip. Popular Music Studies - bridge or barrier? Musica come ponte tra i popoli / Die Musik als Brücke zwischen den Völkern. Tonini, Giuliano (ed). 2001, Bolzano: Libreria Musicale Italiana: 128-142. ISBN·88·7096·224·5 (Atti del convegno internazionale di studi / Beiträge der internationalen Studientagung (5-7 november, 1998)) [EN] MUSIC EDUC, POPULARMUS, ORGANISE, INSTITUTNS, AESTHETICS.

Tagg, Philip; Collins, Karen E. The Sonic Aesthetics of the Industrial: Reconstructing Yesterday's Soundscape for Today's Alienation and Tomorrow's Dystopia. Sound Practice. Drever, John Levack (ed). 2001, Dartington: UKISC (UK and Ireland Soundscape Community): 101-108 (Papers from the 1st UKISC conference on sound culture and environments, Dartington College of Arts, 16-20 February 2001) [EN] SOUNDSCAPE.

Tagg, Philip. Music Analysis for 'non-musos': popular perception as a basis for understanding musical structure and signification. 2001, Liverpool: www.tagg.org/articles/cardiff01.pdf (Paper for conference on Popular Music Analysis, University of Cardiff, 17 November 2001).

Tagg, Philip. Twenty Years After. Speech at Founder's event. 2001, Turku: IASPM - www.tagg.org/articles/turku2001.html [EN] IASPM, FINLAND, CULTPOLIT..

Tagg, Philip; Clarida, Bob. Ten Little Title Tunes. 2002, New York: Mass Media Music Scholars' Press (xvi+898p). ISBN·0·9701684·2·X [EN] MUS.ANALYS, SEMIOTICS, POPULARMUS, FILM MUSIC, TELEVISION, IDEOLOGY, MUSIC EXX., EUROARTMUS, TITLE MUS., ROCK. [brass·band; Western; cowboy; harmony; melody; crime; loneliness; military; romance; 1 news; 1 detective].

Tagg, Philip. Frammenti di musicologia della popular music. L'esperienza musicale. Per una femnomenologia dei suoni. Nostro, Luca (ed). 2002, Roma: Montag/Manifestolibri: 13-26. ISBN·88·7285·304·4 Intervista da Luca Nostro [IT] MUSICOLOGY, SEMIOTICS, DEFINE, POPULARMUS, SOUNDSCAPE .

Tagg, Philip; Collins, Karen. Industrialna estetyka dz'wiekowa (rekonstrukcja dzwiekowych przeszlosci z perspektywy wspólczesnej alienacji przyszlej dystopii) Gosiniec Sztuki, 1/8 Rok VII Plock 2003. 2003, Plock: Plocki Osrodek Kultury i Sztuki: 34-47. ISBN·1505·5299 (Magazyn Artystyczno-Literacki) [PO] Polish version of "The Sonic Aesthetics of the Industrial: Reconstructing Yesterday's Soundscape for Today's Alienation and Tomorrow's Dystopia" (2001).

Tagg, Philip. Analidando a música popular: teoria, método e prática. Em Pauta, 14. 2003, Porto Alegre: Universidade Federal do Rio Grande do Sul: 5-42. ISSN·0103·7420 (Revista do Programa de Pós-Graduação em Música) [PG] MUSICOLOGY, SEMIOTICS, MUS.ANALYS, MUSIC EXX., PT. [Fernando; Kojak; IOCM; musemes; commutation].

Tagg, Philip. Interconversione gestuale e precisione connotativa. Musica/Realtà, 76. 2005, Lucca: LIM: 89-120. ISBN·88·7096·419·1 (Marzo 2005 (only major articles in this volume appended)) Intergestural conversion and connotative precision [IT] SEMIOTICS, IDEOLOGY, EUROARTMUS, JAZZ, ROCK, HARMONY, MELODY, HEALTH, PSYCHOLOGY.

Tagg, Philip. Gestural interconversion and connotative precision. Film Music International, 13 (2005:1). (http://tagg.org/articles/xpdfs/filminternat0412.pdf) [EN] FILM MUSIC, TITLE MUS., POPULARMUS, JAZZ, SEMIOTICS, MUSIC EXX., LOVE, ILL., AUSTRIA. [gesturality; Dream·of·Olwen; Sound·of·Music; hills; curves; wavy; parental; romantic; shampoo].

Tagg, Philip. Para qué sirve un musema? Antidepresivos y la gestión musical de la angustia. Musica popular na América Latina - Pontos de escuta. Ulhôa, Martha Tupinambá de (ed); Ochoa, Ana Maria (ed). 2005, Porto Alegre: Editora da Universidade do Rio Grande do Sul: 22-51 [SP] L AMERICA, DRUGS, HARMONY, MUSIC EXX., MUSICOLOGY, MUS.ANALYS, IDEOLOGY, CAPITALISM, MELODY, SEMIOTICS. [musemes].

Taibo, Paco Ignacio. La música de Agustín Lara en el cine. 1984, Mexico City: Filmoteca de la UNAM (38p) [SP] MEXICO, POPULARMUS, FILM, FILM MUSIC, COMPOSERS.

Taibo, Paco Ignacio. Agustín Lara. 1985, Madrid: Jucar (195p) Popular-song composer, (1900-1970) [SP] BIOGRAPHY, MEXICO, COMPOSERS.

Takeda, Seiji. New Music no bishintachi. 1989, Tokyo: Asuka-shinsha (256p) Literary examination of the songs of 4 singer/songwriters [JP] VOCAL MUS., LYRICS, SSONGWRITR, JAPAN.

Takemitsu, Toru. La musica e i giardini. Musica/Realtà, 50. 1996, Lucca: Libreria musicale italiana: 20-20. ISBN·3·378·01030·4 [IT] JAPAN. [GARDENS].

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Talbot, Michael. The Work-Concept and Composer-Centredness. The Musical Work. Reality or Invention. Talbot, Michael (ed). 2000, Liverpool: Liverpool University Press: 168-186. ISBN·0·85323·835·9 (Reviewed in Popular Music, 21/2: 238-9 by Allan Moore).

Talbot, Michael. Introduction. The Musical Work. Reality or Invention. Talbot, Michael (ed). 2000, Liverpool: Liverpool University Press: 1-13. ISBN·0·85323·835·9 (Reviewed in Popular Music, 21/2: 238-9 by Allan Moore).

Talking Heads; Olinsky, Frank. What the Songs Look Like. 1987, New York: Harper & Row (125p) Visual interpretation of the lyrics of the band's songs [EN] VIS. ARTS, LYRICS.

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Tamlyn, Garry. The rhythmic roots of rock 'n' roll in rhythm and blues. Music on Show: Issues of Performance. Hautamäki, Tarja (ed); Järviluoma, Helmi (ed). 1998, Tampere: Department of Folk Tradition: 330-335. ISBN·951·44·4290·3 [EN] IASPM, CONFERENCE, USA, 1940S, 1950S, RHYTHM, DRUMS, R&B.

Tamlyn, Garry. The Big Beat: Origins and development of snare backbeat and other accompanimental rhythms in Rock 'n' Roll. 1998, Liverpool: University of Liverpool (300p). PhD Thesis, Institute of Popular Music. ROCK, ·RHYTHM, MUSICOLOGY, DRUMS, MUSIC·EXX, BIBLIOGR, DISCOGR

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Valois, Jean de. Le chant grégorien. 1963, Paris: PUF (Que sais-je? 1041) (128p) [FR] EUROPE, RELIGION, VOCAL MUS., MEDIEVAL, HISTORY, MUSIC EXX., MUSICOLOGY, BIBLIOGR..

Valtschinova-Tschendova, Elisaveta. Trudnostta da ne budesh samiya sebe si (stsenichni i repertoarmi prevplishcheniya na svatbarskite orkestri i balkanskata traditionna instrumentalna praktika) Bulgarian Musicology, 2/2001. Levy, Claire (ed). 2001, Sofia: Bulgarska Akademiya na Naukute -Institut za izkustvoznanie: 118-127. ISSN·0204·823X (Internatioinal Seminar 'Popular Music Today: Objects, Practices, Approaches', Sofia 23-24 June 2000) =The difficulty of not being yourself (stage and repertory transformations of the wedding orchestras and the Baklkan traditional instrumental practice).

Van de Port, Mattijs. The articulation of soul: gypsy musicians and the Serbian Other. Popular Music 18/3. 1999, Cambridge: Cambridge University Press: 291-308.

Vance, Randolph. Ozark Folksongs. 1982, Urbana: University Press of Illinois. ISBN·0·252·00952·5 [EN] USA, RURAL.

Feliu, Santiago; Varela, Carlos; Nicola, Noél. Entrevista. La del taller, 7. 1986, Rosario: : 18-20 [SP] L AMERICA. [NUEVA·TROVA].

Various. ASCAP - 30 Years of Motion Picture Music. 1967, New York: A.S.C.A.P. (135p) [EN] FILM MUSIC, USA, HISTORY, 1930S, 1940S, 1950S, HOLLYWOOD, ANTHOLOGY.

Various. The N.M.E. Book of Rock (1). 1973, London: New Musical Express (80p) [EN] ROCK, UK, USA, REFERENCE, 1950S, 1960S.

Various. Slutsatser angående arbetsutformning. "Rapporter i psykosociala frågor" SOU 1976:3, 79-81. För musiken i tiden: Lärarhandledning. Thorsén, Stig-Magnus (ed). 1976, Stockholm: Sveriges Radio UTB: 24. ISBN·91·26·07214·9 (1 publ. in "Bild & Myt", pp 147-148 (Gidlunds)) [SV] SOCIOLOGY, PSYCHOLOGY, WORK, ORGANISE, POLITSTUDY.

Various. Musiken, människan, samhället. Principbetänkande av OMUS (Organisationskommittén för Högre Musikutbildning i Sverige). 1976, Stockholm: Utbildningsdepartementet, SOU 1976:33 (371p). ISBN·91·38·02895·6 "Music, man, society". Report from the committee for reform of higher education in music with summaries in English, German and French. [SV] SWEDEN, MUSIC EDUC, DOCUMENT, CULTPOLIT., ROCK, JAZZ, 1970S.

Various. La chitarra e il potere. Gli autori della canzone politca contemporanea. 1976, Roma: Savelli [IT] FOLK MUSIC, ROCK, ITALY, SSONGWRITR, POLITICS.

Various [Diagram Group]. Musical Instruments of the World: An Illustrated Encyclopaedia. 1976, New York: Paddington Press [EN] REFERENCE, INSTRUMENT, INTERNATNL, WORLD MUS..

Various. Musiklärare tar sig ton mot avtalsverket och SÖ. Musikkultur, 41. 1977, Stockholm: Musikkultur: 9-16 (5 sept 1977) [SV] SWEDEN, MUSIC EDUC, CULTPOLIT., UNIONS, 1970S.

Various. Tältet - The Tent. 1978, Stockholm: Hagafilm (6p) Handouts in English on film and record [EN] SWEDEN, PROGRESSIV, DOCUMENT.

Various. Musik på löpande band. 1979, Stockholm: Liber / Statens Ungdomsråd (72p) [SV] MUS INDUST, CULT.STUDY, YOUTH, SWEDEN, SOCIOLOGY, STATISTICS.

Various. I nattens ljus. 1979, Stockholm: Liber / Statens Ungdomsråd (153p). ISBN·91·38·05142·7 [SV] SWEDEN, DANCE, 1970S, DOCUMENT, ILL., CULTPOLIT., YOUTH.

Various. Skivomslag. Skivomslag. 1981, Stockholm: Nationalmuseum: 133. ISBN·91·7100·197·2 [SV] VIS. ARTS, LPs, ROCK.

Various. Musical Theatre in America: Papers and Proceedings of the Conference on the Musical Theatre in America. 1981, Westport: Greenwood Press. ISBN·0·313·23524·4 Post Center of Long Island University, Greenvale, N.Y. [EN] USA, MUSICALS, RESEARCH, CONFERENCE.

Various. Videreuddannelsesprojekt 1981-1982. 1982, Köbenhavn: Samrådet for tilrettelægelse af rytmisk mus. i DK (26p) [DK] SKILLS, DENMARK, MUSIC EDUC, INSTRUMENT, ROCK, JAZZ, DOCUMENT.

Various. Solibeat, etc. 1983, Berlin: Aktion SoliBeat (36p) [DE] DDR, ROCK, ILL..

Various. Checklist of soundtracks released February-April 1983 in Japan, Italy, the UK and Spain. Soundtrack, 2/6. Ven, Luc van de (ed). 1983, Mechelen: 30-32 [EN] FILM MUSIC, DISCOGR., 1980S, ITALY, JAPAN, UK, SPAIN.

Various. Checklist of soundtracks released February-April 1983 in Australia, USA, France, Belgium, BRD. Soundtrack, 2/6. Ven, Luc van de (ed). 1983, Mechelen: 34-35 [EN] FILM MUSIC, DISCOGR., 1980S, AUSTRALIA, USA, FRANCE, BELGIUM, BRD.

Various. Checklist of film soundtracks released May-July 1983 in Europe, Japan, USA and Australia. Soundtrack, 2/7. Ven, Luc van de (ed). 1983, Mechelen: 29-35 [EN] DISCOGR., ITALY, SPAIN, JAPAN, UK, BRD, USA, AUSTRALIA, FRANCE, BELGIUM.

Various. Checklist of film soundtracks released August-October 1983 in Europe, Japan and USA. Soundtrack, 2/8. Ven, Luc van de (ed). 1983, Mechelen: 31-35 [EN] DISCOGR., FILM MUSIC, SPAIN, JAPAN, ITALY, UK, USA, BRD, FRANCE, BELGIUM.

Various. Book Reviews. Yearbook for Traditional Music, 16. 1984, New York: International Council for Traditional Music: 109-135. ISSN·0740·1558 [EN] POPULARMUS, ROCK, BIBLIOGR., 1980S.

Various. 12 Curso Latio-Americano de Música Contemporánea, Tatuí, Brasil 3-17 jan. 1984, São Paulo (8p) [PG] PT, CONFERENCE, DOCUMENT.

Various. Folionas fazem festival da apelação. Noticias populares, 7 de março. 1984, São Paulo [PG] ILL., FESTIVAL, PORNOGRAPH, SEX/GENDER, WOMEN.

Various. Jyväskylä conference programme. 1985, Jyväskylä: University (4p) [SV] PT, CONFERENCE, DOCUMENT.

Various. Bielefelder Katalog: Jazz 1986. 1985, Stuttgart: Vereinigte Motor-Verlage (957p) [DE] JAZZ, DISCOGR..

Various. Lærerkursus i Rytmisk Musik. Arrangeret af Amtsmusikudvalget, Voksenpædagogisk Udvalg i Vejle og RMU i Danmark. 1986, Vejle: Amtskonsulenten for fritidsundervisning (26p) [DK] SKILLS, DENMARK, MUSIC EDUC, INSTRUMENT, ROCK, JAZZ, DOCUMENT.

Various. ROSA (Rocksambandsorganisation i Danmark - presentation). 1986, Köbenhavn: Samrådet for tilrettelæggelse av RMU i Danmark (10p) [DK] DENMARK, 1980S, JAZZ, ROCK, MUSIC EDUC, CULTPOLIT., PERFORM, WOMEN, MUSICIANS, ILL..

Various. Changes in the acoustic environment and their impact on musical communication. The Present State of Musics. 1986, Wien: Mediacult: 16-19 [EN] SOUNDSCAPE, TECHNOLOGY, GENRES.

Various. The role of the electronic media: international standardisation versus cultural identity. The Present State of Musics. 1986, Wien: Mediacult: 19-24 [EN] MASS MEDIA, TECHNOLOGY, INTERNATNL, NATIONALSM, GENRES.

Various. The image of music and the status of the musician. The Present State of Musics. 1986, Wien: Mediacult: 24-29 [EN] MUSICIANS, COPYRIGHT, RECORDING, CULTPOLIT..

Various. Una scuola media scrive sulla musica. L'iniziativa musicale di un comune del Sud. Musica/Realtà, 24. 1987, Milano: Unicopli: 125-138. ISBN·88·7061·956·7 [IT] ITALY, MUSIC EDUC, DOCUMENT, EUROARTMUS, POPULARMUS.

Various. Un'esperienza di teatro musicale dal carcere di Padoa. Musica/Realtà, 25. 1988, Milano: Unicopli: 175-182. ISBN·88·7061·917·6 [IT] OPERA, DRAMA, SOCIOLOGY, HEALTH, ITALY.

Various. Uccellacci e uccelini (1966) Trento Cinema 1988. 1988, Trento: Provincia Autonoma di Trento - Servizio Attività Culturali: 100-106 (Incontri internazionali con la musica per il cinema) [IT] FILM, VIS. ARTS, ITALY, FILM MUSIC. [MORRICONE·Ennio; PASOLINI·Pier·P; COURUT·Michel; FOFI·Goffredo; FOLDINI·Franca; ARECCO·Sergio; HAWKS; SPARROWS].

Various. Sacco e Vanzetti (1971) Trento Cinema 1988. 1988, Trento: Provincia Autonoma di Trento - Servizio Attività Culturali: 129-134 (Incontri internazionali con la musica per il cinema) [IT] FILM, VIS. ARTS, ITALY, POLITSTUDY, FILM MUSIC. [MORRICONE·Ennio; MONTALDO·Giulia; ONOFRI·Fabrizio; FALDINI-FOFI·F; VOLONT�·Gian·Ma; CUCCIOLLA·Ricca].

Various. Films from Deutsche Film- und Fernsehakademie Berlin. Trento Cinema 1988. 1988, Trento: Provincia Autonoma di Trento - Servizio Attività Culturali: 58-61 (Incontri internazionali con la musica per il cinema) [IT] FILM, FILM MUSIC, BRD.

Various. Films from Hochschule für Fernsehen und Film München. Trento Cinema 1988. 1988, Trento: Provincia Autonoma di Trento - Servizio Attività Culturali: 62-65 (Incontri internazionali con la musica per il cinema) [IT] FILM, FILM MUSIC, BRD.

Various. Films from National Film and Television School. Trento Cinema 1988. 1988, Trento: Provincia Autonoma di Trento - Servizio Attività Culturali: 66-67 (Incontri internazionali con la musica per il cinema) [IT] FILM, FILM MUSIC, BRD.

Various. Histoire d'un rapport (1893, 1914) Trento Cinema 1988. 1988, Trento: Provincia Autonoma di Trento - Servizio Attività Culturali: 295-297 (Incontri internazionali con la musica per il cinema) [IT] FILM, SILENTFILM, ITALY, C19, 1900-1909, 1910S. [NEGRONI·Baldass; COSTA·Pasquale].

Various. Entr'acte (1923) Trento Cinema 1988. 1988, Trento: Provincia Autonoma di Trento - Servizio Attività Culturali: 298-303 (Incontri internazionali con la musica per il cinema) [IT] FILM, SILENTFILM, FRANCE, FILM MUSIC, AVANTGARDE, 1920S. [CLAIR·Ren‚; SATIE·Erik].

Various. Concerto a Marval (Gruppo SUTEDA) (1988) Trento Cinema 1988. 1988, Trento: Provincia Autonoma di Trento - Servizio Attività Culturali: 304-307 (Incontri internazionali con la musica per il cinema) [IT] FILM, FILM MUSIC, ITALY.

Various. Discographies. Finnish Music Quarterly, 1989/4. 1989, Helsinki: ESEK: 52-70. ISSN·0782·1069 [EN] FINLAND, PHONOGRAM, MUS INDUST, EUROARTMUS, DISCOGR.. [RAUTAWAARA·Auli; BORG·Kim; BERGLUND·Paavo; TALVELA·Martti; KRAUSE·Tom].

Various. Su Armando Gentilucci. [Saggi di Goffredo Petrassi, Mario Baroni, Giordano Gasparini, Giacomo Manzoni, Daniela Iotti, Paolo Gandolfi, Luciana Pestalozza, Rosanna Dalmonte, Adriano Guarnieri, Luigi Pestalozza] Musica/Realtà, 31. 1990, Milano: Unicopli: 29-54. ISBN·88·400·0205·7 [IT] ITALY, MOD.CLASS., COMPOSE, DEATH, DOCUMENT.

Various. Sequencer Plus Gold, Version 4: Manual. 1990, Pelham, NY: Voyetra Technologies (xii+276p) [EN] MIDI, SYNTHS, HANDBOOK, MUSIC MAKE.

Various, (SR/PUB). Aktuell medieforskning 1982/83. 1984, Stockholm: Sveriges Radio/PUB [SV] MASS MEDIA, BIBLIOGR., CATALOGUE, SWEDEN.

Vassall, Jacques. Electric Children: Roots and Branches of Modern Folkrock. 1976, New York: Taplinger Göteborg; Department of Applied Electronics, Chalmers University of Technology; Department of Physiology II, Karolinska Institute, Stockholm, Sweden. ISBN·0·800·82382·6 [EN] MUSIC HIST, FOLK MUSIC, ROCK.

Vassall, Jacques. Folksong. 1984, Paris: Albin Michel (422p) Revised edition [FR] FRANCE.

Vaughan, Andrew (1989). Who's Who in Country Music. 1988, London: Virgin Books (128p) New York: St Martin's Press, 1990 [EN] UK, USA, REFERENCE, C&W.

Vaughn, Kathryn. Exploring Emotion in Sub-Structural Aspects of Karelian Lament: Application of Time Series Analysis to Digitized Melody. Yearbook for Traditional Music, 22. 1990, New York: International Council for Traditional Music: 106-122. ISSN·0740·1558 [EN] ANTHROPOL., MUSICOLOGY, WOMEN, FINLAND, MUSIC EXX., INTONATION, COMPUTERS.

Veaux, Scott De. Conversation with Howard McGhee. Jazz in the Forties. The Black Perspective in Music. [EN] INTERVIEW, JAZZ, BLUES. [McGhee,·Howard].

Veaux, Scott De. Bebop and the Recording Industry: the 1942 AFM Recording Ban Reconsidered. Journal of the American Musicological Society, 51/1. [EN] MUS INDUST, USA, 1940S, JAZZ, BEBOP.

Veaux, Scott De. The Birth of Bebop. 1997, Berkeley: University of California Press (xiii+572p). ISBN·0·520·20579·0 A social and musical history. Acq 980222 from Bob Clarida [EN] JAZZ, BEBOP, USA, 1930S, 1940S, 1950S, MUSIC EXX., SOCIOLOGY, MUS INDUST.

Vecchione, Bernard. Entre rhétorique et pragmatique: l'innovation sémantique dans les oeuvres musicales de nature argumentative. Musical Signification: Between Rhetoric and Pragmatics. 1998, Bologna: CLUEB (Cooperativa Libraria Universitaria Editrice Bologna)/International Semiotics Institute: 341-390 [FR] SEMIOTICS, RHETORIC.

Vega, Carlos. Canzas y canciones argentinas. 1936, Buenos Aires: [SP] ARGENTINA, VOCAL MUS., SINGING.

Vega, Carlos. La música populár argentina, tomo II: Fraselogía. Proposición de uno nuevo método para la escritura y análisis de las ideas musicales y sa. 1941, Buenos Aires: Facultad de Filosofia y Letras de la Universidad de Buenos (557p) [SP] POPULARMUS, ARGENTINA, DEFINE, MUS.ANALYS, MUSIC EXX..

Vega, Carlos. Panorama de la música popular argentina. 1944, Buenos Aires: Losada [SP] ARGENTINA.

Vega, Carlos. "Mesomusic". An essay on the music of the masses. Ethnomusicology, 10. [EN] GENRES, GROUPS, DEFINE, FOLK MUSIC, EUROARTMUS, POPULARMUS, L AMERICA, MUSICOLOGY.

Vega, Carlos. Mesomusic: An Essay on the Music of the Masses. Ethnomusicology, 10. [EN] URBAN, CULT.STUDY, MASS MEDIA.

Vega, Carlos. Mesomúsica. Un essayo sobre la música de todos. Revista del Instituto de Investigación Musicológica. 1979, Buenos Aires [SP] DEFINE, FOLK MUSIC, POPULARMUS, L AMERICA.

Veilleux, Michel. L'opéra, du cinéma à la vidéo. Musiques du XXe siècle (Musiques, vol. 1). Nattiez, Jean-Jacques (ed). 2003, Paris: Actes Sud/Cité de la musique: 969-992. ISBN·2·7427·4204·2 (1pub Einaudi, Torino, 2001) [FR] OPERA, MASS MEDIA, FILM, VIDEO.

Vendrix, Philipp. La notion de révolution dans les écrits théoriques concernant la musique avant 1789. 1789-1989. Musique, Histoire, Démocratie. Colloque international organisé par Vibrations et l'IASPM, Paris 17-20 juillet 1989. Hennion (ed). 1992, Paris: Éditions de la Maison des Sciences de l'Homme: 79-84. ISBN·2·7531·0532·6 (in 3 volumes (ISBN 2-7531-0532-6, 0533-4, -0534-2). Soutien de la Direction de la Musique (Ministère de la Culture) et du Centre d'Ethnologie française. Vol 1 pp 1-260, vol 2 pp 263-506, vol 3 pp 509-829) [FR] FRANCE, C18.

Vennum, Thomas. The Ojibwa Dance Drum: its History and Construction. 1982, Washington, D.C.: Smithsonian Institution Press. ISBN·0·874·74941·7 [EN] N AMERICA, INSTRUMENT, DRUMS, DANCE, AMERINDIAN.

Ventura, Michael. Shadow Dancing in the USA. 1985, Los Angeles: Jeremy P. Tarcher (232p) [EN] USA, MUSIC HIST, JAZZ, ROCK. [VOODOO].

Ventura, Michael. "Senti il gemito del serpente". Essere, 16 (agosto 1987). 1987, Torino: Essere: 14-25 [IT] AFRICA, W AFRICA, CARIBBEAN, JAZZ, NEUROLOGY, RHYTHM.

Venturini, Fabrizio. Sulle strade del blues. 1984, Milan: Gammalibri (466p) [IT] BLUES.

Verdi, Giuseppe. La forza del destino (programme). 1862, Paris: Opéra de Paris, juin 1982 [FR] FRANCE, ITALY, OPERA, DOCUMENT.

Verissimo, Luis Fernando. Progresso - `Podem ir pra casa, pessoal. Eles compraram um sintetizador' (cartoon collage) Various articles from La Brecha, etc.. n.d. Montevideo: : 018 Rio de Janeiro: Veja, 880518 [PG] BRAZIL, TECHNOLOGY, SYNTHS, ILL..

Vermorel, Fred; Vermorel, Judy. Starlust: the Secret Fantasies of Fans. 1985, London: Comet (253p) Pop as the music of possession [EN] FANS.

Vermorel, Fred; Vermorel, Judy (1985). Starlust. On Record: Rock, Pop and the Written Word. Frith, Simon (ed); Goodwin, Andrew (ed). 1990, London: Routledge: 481-490 (xi+492 pp) 1publ in `Starlust: The Secret Fantasies of Fans' (London: W H Allen, 1985) [EN] ROCK, STARS, FANS, USA, UK, 1980S, WOMEN, MEN. [Bowie,·David; Rhodes,·Nick; Boy·George; Clarke,·Allan; Bolan,·Marc; Heyward,·Nick; Manilow,·Barry].

Vermorel, Fred; Vermorel, Judy. Starlust: the Secret Fantasies of Fans. 1985, London: Comet (253p) Pop as the music of possession [EN] FANS.

Vermorel, Fred; Vermorel, Judy (1985). Starlust. On Record: Rock, Pop and the Written Word. Frith, Simon (ed); Goodwin, Andrew (ed). 1990, London: Routledge: 481-490 (xi+492 pp) 1publ in `Starlust: The Secret Fantasies of Fans' (London: W H Allen, 1985) [EN] ROCK, STARS, FANS, USA, UK, 1980S, WOMEN, MEN. [Bowie,·David; Rhodes,·Nick; Boy·George; Clarke,·Allan; Bolan,·Marc; Heyward,·Nick; Manilow,·Barry].

Vernallis, Carol. The aesthetics of music video: an analysis of Madonna's "Cherish". Popular Music, 17/2. 1998, Cambridge: Cambridge University Press: 153-186 (www.tagg.org/articles/gbgconnect.html) [EN] ROCK, MOR, USA, VIS. ARTS, VIDEO, ILL..

Vernillat, France (ed); Charpentreau, Jacques (ed). Dictionnaire de la chanson française. 1968, Paris: Larousse (256p) [FR] FRANCE, SSONGWRITR, HISTORY, BALLADS, MUSICIANS, LYRICS, REFERENCE, ILL..

Vernillat, France; Charpentreau, Jacques. La chanson française. 1977, Paris: PUF (Que sais-je? 1453) (126p) Deuxième édition revue et corigée [FR] FRANCE, HISTORY, SSONGWRITR, LYRICS, MEDIEVAL, EUROARTMUS, BALLADS, ROCK, MUSICIANS, BIBLIOGR..

Vian, Boris. Autres écrits sur le jazz. 1981, Paris: Bourgois Compiled and edited with a preface by Claude Ramiel [FR] JAZZ, 1940S, 1950S, POSTWAR.

Vicic Rasmussen, Lerka. From source to commodity: newly-composed folk music of Yugoslavia. Popular Music, 14/2. 1995, Cambridge: Cambridge University Press: 241-256. ISSN·0261·1430 [EN] YUGOSLAVIA, FOLK MUSIC, GENRES, MASS MEDIA, NATIONALSM.

Vickers, M (ed). Soviet Pop Lyrics. Ré Records Quarterly, 1/2. 1985, London: Recommended Records: 25-17 [EN] LYRICS, DOCUMENT, ILL., USSR, ROCK, 1970S, 1980S.

Vidolin, Alvise. Ricerca e produzione musicale mediante le moderne tecnologie digitale. Musica e sistema dell'informazione in Europa. Rampi, Francesco (ed). 1985, Milano: Unicopli: 179-183. ISBN·88·7061·885·4 [IT] COMPUTERS, MEDIA IND., EDUCATION, MUS INDUST, CULTPOLIT..

Vidolin, Alvise; Bresin, Roberto; Poli, Gianni de. A connectionist approach to timing deviation control in musical performance. Secondo convegno europeo di analisi musicale. Dalmonte, Rosanna (ed); Baroni, Mario (ed). 1992, Trento: Università degli studi di Trento, Dipartimento di storia della civiltà europea: 635-638. ISBN·88·86135·09·2 (www.tagg.org/articles/trento91.html (1999)) [EN] MUSICOLOGY, MUS.ANALYS, CONFERENCE, RHYTHM.

Viera, Joe. Jahre Jazz in Burghausen mit einem Bildteil zusammengestellt von Gerhard Hubner. 1989, Burghausen: Interessengem (67p) [DE] GERMANY, JAZZ, FESTIVAL, CATALOGUE, PHOTOGRAPH.

Vierimaa, Irma. Music in the Struggle between Good and Evil: Mythical Motifs in Finnish Medieval Frescoes. Musiikin suunta, 1985 (7). 1985, Helsinki: Suomen Antropologinen Seura: 21-31. ISSN·0780·0703 [EN] FINLAND, MYTHOLOGY, MEDIEVAL, RELIGION.

Vieth, Udo; Zimmerman, Michael. Reggae: Musiker, Rastas und Jamaika. 1981, Frankfurt: Fischer (208p) [DE] REGGAE, MUSIC HIST, CARIBBEAN.

Viglietti, Daniel. Lazaroff que iba cantando. Various articles from La Brecha, etc.. n.d. Montevideo: : 008 Brecha, 890421 [SP] URUGUAY, BIOGRAPHY.

Viglietti, Daniel. Guitarra roja. Various articles from La Brecha, etc.. n.d. Montevideo: : 042 Brecha, 8904 [SP] L AMERICA, URUGUAY, GUITAR, POLITICS.

Viglietti, Daniel. Coriún Aharonián, Musico Nuevo. Marcha, 1971-05-14. 1971, Montevideo: Marcha [SP] URUGUAY, MOD.CLASS., INTERVIEW, BIOGRAPHY.

Viglietti, Daniel; Galeano, Eduardo. Interviewed by Jean-Jacques Fleury (Albi, March 1981) Hispanorama, 41. 1985, Nürnberg: Deutsche Spanischlehrverbands: 91-94. ISSN·0720·1168 [EN] L AMERICA, SPAIN, SSONGWRITR, 1970S, 1980S, LYRICS, POLITSTUDY.

Viglietti, Daniel; Yupanqui, Atahualpa; Masliah, Leo. Guitarristas y guitarreros - Entrevistas. La del taller, 7. 1986, Rosario: : 3-6 [SP] ARGENTINA, URUGUAY, GUITAR.

Vignal, Marc. Dictionnaire de la musique française. 1988, Paris: Larousse (440p) [FR] REFERENCE, FRANCE, MUSIC HIST.

Vigneault, Gilles. Tales sur la pointe des pieds. 1972, Montréal: Press Porcépic (79p). ISBN·0·88878·004·4 Édition bilingue (Fr & En) [FR] CANADA, QU�BEC, POETRY, LITERATURE.

Vigue, J; Gergely, J. La musique hongroise. 1959, Paris: PUF (Que sais-je? 816) (128p) [FR] HISTORY, HUNGARY, EUROARTMUS, FOLK MUSIC, MUSIC EXX..

Viiko, Arto. Tietokon - musiikkitoimittajan pelastaja? Toosa Soi. Musiiki radion kilpailuvälineenä. Salminen, Kimmo (ed); Alm, Ari (ed). 1992, Helsinki: YLE Tutkimus ja kehitysosasto: 208-211. ISBN·951·43·0557·4 [SF] RADIO.

Viinanen, Maija; Kulomäki, Seija. Kaupankäyntiä ravintolan äänimaisemalla (Trading with the soundcape of restaurants - Who wins? Who loses?) Musiikin Suunta, 1991/1. 1991, Helsinki: Suomen etnomusikologinen seura Ry: 35-46. ISSN·0780·0703 [SF] SOUNDSCAPE, FINLAND, CLUBS.

Vikar, László; Bereczki, Gábor. Chuvash Folksongs. 1979, Budapest: Akakémiai Kiadó (579p). ISBN·963·05·1460·5 Translated by Imre Gombos. Translation revised by [EN] HUNGARY, FOLK MUSIC, LINGUISTIC, CULT.STUDY, MUSICOLOGY, LYRICS.

Vikman, Noora. Tones in the soundscape - the listener's viewpoint. Soundscapes. Essays on Vroom and Moo. Järviluoma, Helmi (ed). 1994, Tampere: Department of Folk Tradition: 90-106. ISBN·951·44·3541·9 (www.tagg.org/articles/virrat.html) [EN] SOUNDSCAPE.

Vikman, Noora. Northern nostalgia. Reading sound diary from the south. Northern Soundscapes. Yearbook of Soundscape Studies, Vol.1. Järviluoma, Helmi (ed); Schafer, R Murray (ed). 1998, Tampere: Department of Folk Tradition, University of Tampere: 95-106. ISBN·951·44·4371·3 [EN] SOUNDSCAPE.

Vikman, Noora. Looking for a 'Right Method" - Approaching Beyond. Soundscape Studies and Methods. Järviluoma, Helmi (ed); Wagstaff, Gregg (ed). 2002, Helsinki: Finnish Society for Ethnomusicology; Department of Art, Literature and Music, University of Turku: 143-170. ISBN·951·96171·5·9 [EN] SOUNDSCAPE.

Semán, Pablo; Vila, Pablo; Benedetti, Cecilia. Neoliberalism and Rock in the Popular Sectors of Contemporary Argentina. Rockin' Las Américas. The Global Politics of rock in Latin/o America. Pacini Hernandez, Deborah (ed); Fernández L'Hoeste, Héctor (ed); Zolov, Eric (ed). 2004, Pittsburgh: University of Pittsburgh Press: 261-289. ISBN·0·8229·5841·4 [EN] POLITICAL, CAPITALISM, MUS INDUST, ARGENTINA, L AMERICA, ROCK.

Vila, Pablo Sergio. Música popular y auge del folklore en la decada del '60. Crear en la cultura nacional, 10 (setiembre/octubre 1982). 1982, Albuquerque: University of Mexico, Latin American Institute: 24-27 [SP] ARGENTINA, FOLK MUSIC, TANGO, NATIONAL, MUS INDUST.

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Wicke, Peter. Von der Aura der technisch produzierten Klanggestalt. Zur Ästhetik des Pop. Wegzeichen - Studien zur Musikwissenschaft. 1985, Berlin: Verlag Neue Musik: 276-289 [DE] MUSICOLOGY, ROCK, AESTHETICS, RECORDING, PERFORM, 1960S.

Wicke, Peter. Popularity in Music: Some Aspects of a Historical Materialist Theory for Popular Music. Popular Music Perspectives, 2. Horn, David (ed). 1985, Göteborg, Exeter: IASPM: 47-51. ISBN·91·87030·00·4 [EN] IASPM, MEDIA IND., YOUTH, PROGRESSIV, DDR, WORK, DEFINE, POPULARITY.

Wicke, Peter. La popularità in musica: aspetti di una teoria storico-materialista della popular music. What is Popular Music? Quaderni di Musica/realtà, 8. 1985, Milano: Unicopli: 146-150. ISBN·88·7061·894·3 [IT] IASPM, MEDIA IND., YOUTH, PROGRESSIV, DDR, WORK, DEFINE, POPULARITY.

Wicke, Peter. Sentimentality and high pathos: popular music in fascist Germany. Popular Music, 05. 1985, Cambridge: Cambridge University Press: 149-158. ISSN·0261·1430 [EN] GERMANY, 1930S, 1940S, POLITSTUDY, MUS INDUST, MASS MEDIA, MUSIC USES, FASCISM, CULTPOLIT., NATIONALSM.

Wicke, Peter. Populäre Musik in der Literatur. Aspekte - Tendenzen - Probleme. Beiträge zur Musikwissenschaft, 1985/3-4. 1985, Berlin: Verlag Neue Musik: 199-240. ISSN·0005·8106 [DE] BIBLIOGR., DEFINE, POLITSTUDY, MUSICOLOGY, SUBCULTURE, CULT.STUDY, ROCK, AESTHETICS.

Wicke, Peter; Ziegenrücker, Wieland. Rock, Pop, Jazz, Folk - Handbuch der Populären Musik. 1985, Leipzig: VEB Deutscher Verlag für Musik (583p) [DE] ROCK, JAZZ, FOLK MUSIC, REFERENCE, USA, UK, DDR, BRD, E EUROPE, BIBLIOGR..

Mainka, Jürgen (ed); Wicke, Peter (ed). Wegzeichen - Studien zur Musikwissenschaft. 1985, Berlin: Verlag Neue Musik (380p) [DE] MUSICOLOGY, EUROARTMUS, FOLK MUSIC, ROCK, MUSIC EXX., MUS.ANALYS, SEMIOTICS, POLITSTUDY, ANTHOLOGY.

Wicke, Peter. Anatomie des Rock. 1986, Leipzig: VEB Deutscher Verlag für Musik (237p). ISBN·3·370·00071·7 [DE] ROCK, DDR, MUS INDUST, GENRES, ENTERTAIN, ILL., HISTORY, USA, UK, SOCIOLOGY.

Wicke, Peter. Populäre Musik - Begriff und Konzept. Informationen der Generalkomitee für Unterhaltungskunst, 1987/1. 1987, Berlin: Unterhaltungskunst (März 1987): 1, 8:10 [DE] DOCUMENT, SOCIALISM, POPULARMUS, DEFINE, DDR.

Wicke, Peter. Rockmusik. Zur Ästhetik und Soziologie eines Massenmediums. 1987, Leipzig: Reclam (314p). ISBN·3·379·00141·4 [DE] ROCK, USA, UK, EUROPE, MUS INDUST, CULT.STUDY, RADIO, TELEVISION, PHONOGRAM, ILL.. [SOCIOLOGY; MASS·MEDIA; AESTHETICS; DDR; YOUTH].

Wicke, Peter. Anatomie des Rock. 1987, Leipzig: VEB Deutscher Verlag für Musik (239p) [DE] DDR, HISTORY, MUSIC HIST, SOCIOLOGY.

Wicke, Peter. Rockmusik: zur Ästhetik und Soziologie eines Massenmediums. 1987, Leipzig: VEB Deutscher Verlag für Musik (314p) [DE] ROCK, AESTHETICS, SOCIOLOGY, MASS MEDIA, MUSICOLOGY.

Wicke, Peter. Populäre Musik - Begriff und Konzept. Informationen, 87/1. 1987, Berlin: Generaldirektion beim Komitee für Unterhaltungskunst: 1 [DE] DEFINE, EUROPE, SOCIALISM.

Wicke, Peter. "Video Killed The Radio Star": splendore e miseria della video music. Musica/Realtà, 25. 1988, Milano: Unicopli: 91-104. ISBN·88·7061·917·6 [IT] VIDEO, ROCK, TELEVISION, VIS. ARTS, 1980S, TECHNOLOGY, MUS INDUST, REC.ENGINR.

Wicke, Peter. Video Killed The Radio Star: splendore e miseria della videomusic. Quaderni di Musica/Realtà, 23. 1989, Milano: Unicopli: 278-291. ISBN·88·7061·927·3 (Generi musicali / Media / Popular Music) [IT] VIDEO, ROCK.

Wicke, Peter. Rock Music. Culture, Aesthetics and Sociology. 1990, Cambridge: Cambridge University Press (xii+228p). ISSN·0521399149.

Wicke, Peter; Grenier, Line; Vila, Paolo Sergio; Shepherd, John. Reviews of Richard Middleton's "Studying Popular Music". Worldbeat, 1. 1991, IASPM: 129-173. ISBN·0·19·508235·4 [EN] REVIEW.

Wicke, Peter. Forschungszentrum populäre Musik, Humboldt-Universität, Berlin. Worldbeat, 1. 1991, IASPM: 194-198. ISBN·0·19·508235·4 [DE] REVIEW, ARCHIVIST, RESEARCH.

Wicke, Peter. Bigger than Life - Rock & Pop in den USA. 1991, Leipzig: Reclam (279p). ISBN·3·379·00723·4 [DE] ROCK, USA, 1980S, INTERVIEW, ILL., JAZZ, MUS INDUST.

Wicke, Peter. Popmusik und Politik. Provokationen zum Thema. Popmusik zwischen Kulturförderung und Kulturwirtschaft. Internationale wissenschaftlich-kulturpolitische Konferenz Oybin, 6.-8. November 1992. 1992, Berlin: Forshungszentrum populäre Musik, Humboldt-Universität, Sächsisches Staatsministerium für Kultur,: 8-18 (Institut für Musik und Kommunikationswirtschaft Nordrhein-Westfalen, Verien zur Förderung der populären Musikkultur) [DE] CULTPOLIT., RESEARCH, GERMANY.

Wicke, Peter. The Times They Are A-Changin': Rock Music and Political Change in East Germany. Rockin' the Boat: Mass Music and Mass Movements. Garofalo, Reebee (ed). 1992, Boston, MA: South End Press: 81-92. ISBN·0·89608·428·0 (333 pp.) [EN] ROCK, OPPOSE, MUS INDUST, POLITICS, DDR.

Wicke, Peter. Editorial. Popscriptum, 1. 1992, Berlin: Forschungszentrum Populäre Musik der Humboldt-Universität: 4.

Wicke, Peter. »Populäre Musik« als theoretisches Konzept. Popscriptum, 1. 1992, Berlin: Forschungszentrum Populäre Musik der Humboldt-Universität: 6-42 [DE] POPULARMUS, DEFINE.

Wicke, Peter. Vom Umgang mit Popmusik. 1993, Berlin: Volk und Wissen [DE] EDUC ITEM, DEFINE, ORGANISE, CHILDREN, YOUTH, MUS INDUST, MUS.ANALYS.

Wicke, Peter. Editorial. PopScriptum 2. 1994, Berlin: Zyankrise / Forschungszentrum Populäre Musik der Humboldt-Universität: 7-8. ISBN·3·928835·14·9.

Wicke, Peter. VII IASPM Conference. PopScriptum 2. 1994, Berlin: Zyankrise / Forschungszentrum Populäre Musik der Humboldt-Universität: 151-154. ISBN·3·928835·14·9 [DE] CONFERENCE, USA, IASPM.

Wicke, Peter (ed); Hannover, Irmela (ed). Puhdys. Eine Kultband aus dem Osten. 1994, Berlin: Elefanten Press (161p). ISBN·3·88520·519·X [EN] DDR, GERMANY, ILL., HISTORY, 1960S, 1970S, 1980S, BIOGRAPHY, ROCK.

Wicke, Peter. Popmusik - Konsumfetischismus oder kulturelles Widerstandspotential. Gesllschaftliche Dimensionen eines Mythos. Forum Musik Wissenschaft, 1. Heuger, Markus (ed); Prell, Matthias (ed). 1995, Regensburg: Verlagsgesellschaft ConBrio: 21-34. ISBN·3·930079·73·9 [DE] PERFORM, MUS INDUST, GERMANY, USA. [Jackson,·Michae].

Wicke, Peter. Popmusik - Konsumfetischismus oder kulturelles Widerstandspotential? Gesellschaftliche Dimensionen eines Mythos. Forum Musik Wissenschaft 1. Popmusik Yesterday Today Tomorrow. Heuger, Markus (ed); Prell, Matthias (ed). 1995, Regensburg: ConBrio Verlagsgesellschaft: 21-34. ISBN·3·930079·73·9 (9 Beiträge von 8 Internationalen Studentischen Symposium für Musikwissenschaft in Köln, September 1993) [DE] PERFORM, USA, GERMANY. [Jackson,·Michae].

Wicke, Peter. Zwischen Förderung und Reglementierung. Rockmusik im System der DDR-Kulturbürokratie. Rockmusik und Politik. Analysen, Interviews und Dokumente. Wicke, Peter (ed); Müller, Lothar (ed). 1996, Berlin: Ch. Links Verlag: 11-27. ISBN·3·86153·096·1 [DE] DDR, ROCK, CULTPOLIT..

Wicke, Peter; Shepherd, John. Music and Cultural Theory. 1997, Cambridge: Polity Press (230p) reviews: [1] P Tagg in Popular Music, 17/3:331-348; [2] Paolo Prato in Musica/Realtà, 59:143-147.

Wicke, Peter (ed); Shepherd, John (ed); Horn, David (ed); Laing, Dave (ed); Oliver, Paul (ed); Tagg, Philip (ed); Wilson, Jennifer (ed). Popular Music Studies - a select international bibliography. 1997, London & Washington: Mansell (18+450p). ISBN·0·7201·2344·5 8349 work titles, author index, subject index [EN] BIBLIOGR., REFERENCE.

Wicke, Peter (ed); Ziegenrücker, Wieland (ed). Handbuch der populären Musik. Rock, Pop, Jazz, World Music: erweiterte Neuasgabe. 1997, Mainz: Atlantis - Schott. ISBN·3·254·08363·6 [EN] GERMANY, USA, UK, WORLD MUS., ROCK, JAZZ, REFERENCE.

Wicke, Peter. Von Mozart zu Madonna. Eine Kulturgeschichte der Popmusik. 1998, Leipzig: Gustav Kiepenheuer (320p). ISBN·3·378·01030·4 [DE] EUROARTMUS, POPULARMUS, ROCK, HISTORY, ILL..

Wicke, Peter. Musik und Politik, Medien und Globalisierung. Musikwissenschaftlicher Paradigmenwechsel? Zum Stellenwert marxistischer Ansätze in der Musikforschung. Stroh, Wolfgang Martin (ed); Mayer, Günter (ed). 2000, Oldenburg: Bibliotheks- und Informationssystem der Universität Oldenburg: 207-207. ISBN·3·8142·0726·2 [DE] MARXISM, MUSICOLOGY, POLITICS, MONEY.

Wicks, Sammie Ann. A belated salute to the "old way" of "snaking" the voice on its (ca) 345th birthday. Popular Music, 08/1 (Performance). 1989, Cambridge: Cambridge University Press: 59-96. ISBN·0·335·09786·3 [EN] GOSPEL, RELIGION, USA, PERFORM, RITUAL, ORNAMENTS, IMPROVISE, C&W, SCOTLAND, UK. [BAPTISTS; PARTON·Dolly; JONES·George; RAITT·Bonnie; HARRIS·Emmylou; LONE·PILGRIM; SACRED·HARP; CALVINISM].

Widgery, David. Beating Time. 1986, London: Chatoo & Windus. ISBN·0·701·12985·9 [EN] ROCK.

Widgery, David. Beating Time: Riot 'n' Race 'n' Rock 'n' Roll. 1986, London: Chatto & Windus (128p) [EN] UK, ROCK, RACISM, POLITICS, OPPOSE.

Widner, Ellis; Carter, Waller. The Oak Ridge Boys: Our Story. 1987, Chicago: Contemporary Books (212p) White gospel [EN] USA, GOSPEL, HISTORY, 1940S, 1950S, 1960S, 1970S, 1980S.

Wiechell, Dörte. Didaktik und Methodik der Popmusik. 1975, Frankfurt am Main: Diesterweg (180p). ISBN·3·425·03750·1 [DE] ROCK, SCHLAGER, MUSIC EDUC, BRD, PERCEIVE, LYRICS, SOCIOLOGY, STATISTICS, MUSIC EXX., MUS.ANALYS.

Wiedemann, Erik; Jörgensen, John (1964). Mosaik Jazzlexicon. 1966, Hamburg: Mosaik (399p) [DE] USA, JAZZ, REFERENCE.

Wiedemann, Erik. Jazz i Danmark: i tynerne, trediverne og fyrrene; en musikkulturel underspgelse. 1982, Copenhagen: Gyldendel 2 vols [DK] JAZZ, DENMARK.

Wiehe, Michael; Kabaréorkestern. Jag är en människa i världen. Nationalkassett Sverige - Discography and lyrics. Björnberg, Alf (ed); Brette-Kromsten, Katharina (ed); Fornäs, Johan (ed); Lilliestam, Lars (ed). 1982, Göteborg: NSU: 194 [SV] SWEDEN, ROCK, LYRICS, PROGRESSIV.

Wiener, Allen J (ed). The Beatles: A Recording History. 1987, Jefferson (NC): McFarland (614p) [EN] ROCK, UK, USA, DISCOGR., BEATLES.

Wiener, Bibiana; Haase, Ellionor. Canción y revolucción en Nicaragua. Hispanorama - Sonderdruck, (November 1985). 1985, Nürnberg: Deutsche Spanischlehrverbands: 84-88. ISSN·0720·1168 [SP] C AMERICA, REVOLUTION, LYRICS, 1970S, BIBLIOGR., DISCOGR..

Wiesand, Andreas Johannes (ed); Forhbeck, Karla (ed); . Musik, Statistik, Kulturpolitik: Daten und Argumente zum Musikleben in der Bundersrepblik Deutschland. 1982, Cologne: DuMont (267p) [DE] CULTPOLIT., STATISTICS, GERMANY, BRD, 1980S.

Wigardt, Mats. Lizzard ett av 40 källarband i Ö-vik. Tonfallet, 1983-02-17. 1983, Stockholm: Rikskonserter: 8-10 [SV] MUSIC EDUC, SWEDEN, YOUTH, ROCK, MUSIC MAKE.

Wiggen, Knut. De två musikkulturerna. 1971, Stockholm: Sveriges Radios Förlag (160p) [SV] ELCTRNCMUS, SWEDEN, MOD.CLASS., AESTHETICS, GENRES, CULTPOLIT., RECORDING.

Wiggins, Gene. Fiddlin' Georgia Crazy: Fiddlin' John Carson, His Real World and the World of his Songs. 1987, Urbana: University of Illinois Press (303p) An important fig. in the transformation of folk to hillbilly [EN] USA, FOLK MUSIC, VIOLIN, C&W. [HILLBILLY].

Wiik, Max (ed). Memory Lane. Ragtime, Jazz, Foxtrot and other Popular Music Covers. 1973, London: Studio International Publications (88p). ISBN·0·9029·63·8 [EN] RAGTIME, JAZZ, SCHLAGER, VIS. ARTS, PHOTOGRAPH.

Wiklund, Örjan. Sorbits i luksusforpakning. Om scenografien i Melodi Grand Prix 1986. Eurovision Song Contest, 86. 6 upretentsiöse essays. 1986, Nordisk Institutt, Universitetet i Trondheim, AVH: 21-27 [DK] EUROVISMUS, DRAMA, 1980S, NORWAY, AESTHETICS.

Wild Paul. Recreation in Rochdale, 1900-1940. Working Class Culture: studies in history and theory. Clarke, John (ed); Critcher, Chas (ed); Johnson, Richard (ed). 1979, London: Hutchinson: 140-160. ISBN·0·09·138221·1 [EN] WORKERS, UK.

Wild, David. The Recordings of John Coltrane: a Discography. 1978, Ann Arbor: Wildmusic [EN] DISCOGR., JAZZ, SAXOPHONE.

Wildbihler, Hubert; Völkleien, Sonja. The Musical: an International Annotated Bibliography. 1986, Munich, London, etc.: K. G. Saur (320p) [EN] MUSICALS, DRAMA, FILM, BIBLIOGR., INTERNATNL.

Wilder, Alec. American Popular Song. The Great Innovators, 1900 - 1950. 1972, New York: Oxford University Press (536p). ISBN·0·19·284009·6 [EN] USA, SCHLAGER, COMPOSERS, MUSIC EXX., MELODY, HARMONY, 1920S, 1930S, 1940S.

Wilgus, D K. Anglo-American Folksong Scholarship Since 1898. 1959, New Brunswick, N.J.: Rutgers University Press [EN] USA, UK, RESEARCH, C19, C20.

Wilk, Max. They're Playing Our Song: from Jerome Kern to Stephen Sondheim, the Stories Behind the Words and Music of Two Generations. 1973, New York: Athenaeum. ISBN·0·689·10554·1 [EN] USA, SSONGWRITR, COMPOSERS, MUSIC MAKE, COMPOSE, LYRICS.

Wilk, Max. Memory Lane: the Golden Age of American Popular Music, 1890-1925. 1976, New York: Ballantine. ISBN·0·345·25096·6 [EN] USA, POPULARMUS, 1890S, 1900-1909, 1910S, 1920S, MUSIC HIST.

Wilkins, Grover. Enquête sur un répertoire au-dessus de toute soupçon. Vibrations, 4. 1987, Paris: : 203-212. ISBN·2·7089·6193·4 [FR] FILM MUSIC, COMPOSERS, CATALOGUE, FRANCE. [MILHAUD·Darius; HONEGGER·Arthur; POULENC·Francis; DUREY·Louis; TAILLEFERRE·Ger; AURIC·Georges].

Will, Geoff; Cooper, Cary L. Pressure Sensitive: Popular Musicians under Stress. 1988, London: Sage (269p) [EN] PSYCHOLOGY.

Willener, Alfred; Ganty, Alex. L'improvisation non-instrumentale. Le groupe Faire: exploration, improvisation, construction. Musique et vie quotidienne. Beaud, Paul (ed); Willener, Alfred (ed). 1973, Paris: Mame: 205-267. ISBN·2·250·00512·5 [FR] FRANCE, 1970S, SOCIOLOGY, JAZZ, IMPROVISE.

Willener, Alfred (ed); Beaud, Paul (ed). Musique et vie quotidienne. Essai de sociologie d'une nouvelle culture. Musique et vie quotidienne. Beaud, Paul (ed); Willener, Alfred (ed). 1973, Paris: Mame: 272. ISBN·2·250·00512·5 [FR] FRANCE, 1960S, 1970S, SOCIOLOGY, MUSICIANS, YOUTH, EVERYDAY.

Willener, Alfred. Musik och sociologi. Musik och samhälle. Berggren, Olle (ed). 1976, Lund: Cavefors: 70-88. ISBN·91·504·0427·X [SV] SOCIOLOGY, PHILOSOPHY, DEFINE, ANTHROPOL..

Willett, Ralph. Country Music: How a Popular Form Became "Real Popular". Popular Music Perspectives, 2. Horn, David (ed). 1985, Göteborg, Exeter: IASPM: 367-374. ISBN·91·87030·00·4 [EN] POPULARITY, USA, C&W, HISTORY, POLITICAL, RELIGION, POLITSTUDY, LYRICS, MUS INDUST, CAPITALISM.

Willett, Ralph. La musica country: come una forma "popolare" è divenuta "veramente popolare". What is Popular Music? Quaderni di Musica/realtà, 8. 1985, Milano: Unicopli: 296-301. ISBN·88·7061·894·3 [IT] POPULARITY, USA, C&W, HISTORY, POLITICAL, RELIGION, POLITSTUDY, LYRICS, MUS INDUST, CAPITALISM.

Willett, Ralph. Country Music as Counter-Revolution. 1789-1989. Musique, Histoire, Démocratie. Colloque international organisé par Vibrations et l'IASPM, Paris 17-20 juillet 1989. Hennion (ed). 1992, Paris: Éditions de la Maison des Sciences de l'Homme: 765-768. ISBN·2·7531·0532·6 (in 3 volumes (ISBN 2-7531-0532-6, 0533-4, -0534-2). Soutien de la Direction de la Musique (Ministère de la Culture) et du Centre d'Ethnologie française. Vol 1 pp 1-260, vol 2 pp 263-506, vol 3 pp 509-829) [EN] C&W, POLITICS, USA.

Williams, Alan; Moran, William R (ed). Godard's Use of Sound. Film Sound - Theory and Practice. Weis, Elisabeth (ed); Belton, John (ed). 1985, New York: Columbia University Press: 332-345. ISBN·0·231·05637·0 [EN] FILM, SOUND, FRANCE.

Williams, Allan; Marshall, William. The Man Who Gave The Beatles Away. 1976, London: Hodder and Staughton (237p) [EN] UK, 1950S, 1960S, MANAGERS, ILL., LIVERPOOL, MUS INDUST, PERFORM, ROCK.

Williams, Brett. John Henry: a Bio-Bibliography. 1983, Westport & London: Greenwood Press. ISBN·0·313·22250·9 [EN] USA, AFR-AMER., BIBLIOGR., FOLK MUSIC, MYTHOLOGY, WORK SONGS, RAILWAY. [FOLKLORE; FOLK·TALE; FOLK·HERO].

Williams, Brett. John Henry: a Bio-Bibliography. 1983, Westport & London: Greenwood Press (175p) [EN] USA, AFR-AMER., BIBLIOGR., BIOGRAPHY, CULT.STUDY. [FOLKLORE; FOLKHERO].

Williams, Christina. Does it really matter? Young people and popular music. Popular Music, 20/2. 2001, Cambridge: Cambridge University Press: 223-242. ISSN·0261·1430 [EN] UK, YOUTH, MASS MEDIA, GENRES, ANTHROPOL., 1990S, EVERYDAY, SEX/GENDER, GROUPS, ROCK.

Williams, George. The Songwriter's Demo Manual and Success Guide. 1984, Riverside, CA.: Music Business Books (193p) [EN] SSONGWRITR, HANDBOOK, TECHNOLOGY, RECORDS, REC.ENGINR.

Williams, Martin. Jazz at the Movies. Film Music: from Violins to Video. Limbacher, James L (ed). 1974, Metuchen (NJ): Scarecrow Press: 42-44. ISBN·0·8108·0651·7 1 publ Saturday Review 50:49/1967 [EN] FILM MUSIC, JAZZ.

Williams, Martin. Jazz in Its Time. 1989, Oxford: Oxford University Press (272p) [EN] JAZZ.

Williams, Martin T. Where's the Melody?: a Listener's Introduction to Jazz. 1966, New York: Minerva [EN] JAZZ.

Williams, Martin T. Jazz Masters of New Orleans. 1979, New York: Da Capo Press. ISBN·0·306·80093·4 [EN] JAZZ, NEWORLEANS, MUSICIANS.

Williams, Martin T. The Jazz Tradition. 1983, Oxford: Oxford University Press. ISBN·0·195·03291·8 [EN] JAZZ, MUSIC HIST.

Williams, Martin T. Jazz Heritage. 1985, New York: Oxford University Press. ISBN·0·195·03611·5 [EN] JAZZ, AFR-AMER..

Williams, Martin T. Jazz Changes. 1992, Oxford & New York: Oxford University Press [EN] JAZZ.

Williams, Mike. The Australian Jazz Explosion. 1981, Sydney: Angus & Robertson (171p) [EN] AUSTRALIA, JAZZ.

Williams, Paul. Outlaw Blues: a Book of Rock Music. 1969, New York: Dutton [EN] ROCK.

Williams, Paul. The Map, or Rediscovering Rock and Roll: a Journey. 1988, South Bend, Indiana: ? (269p) [EN] ANTHOLOGY, ROCK, USA.

Williams, Paul. The globalization of music. Popular Music: Intercultural Interpretations. Mitsui, Tôru (ed). 1998, Kanazawa: Graduate Program in Music, Kanazawa University: 87-92. ISBN·4·9980684·1·5.

Williams, Peter. Bluff Your Way in Folk and Jazz. 1969, London: Wolfe (64p). ISBN·0·72340119·5 [EN] HUMOUR, FOLK MUSIC, JAZZ, HANDBOOK.

Williams, Richard. Out of his Head - the Sound of Phil Spector. 1974, London: Abacus (156p). ISBN·0·349·13723·4 [EN] USA, UK, 1950S, 1960S, 1970S, RECORDING, PRODUCERS, DISCOGR., BIOGRAPHY, ILL..

Williams, Richard. The uptight and outasight. Richard Williams on Motown and the critics. Let it Rock, 23 (November 74). [EN] ROCK, SOUL, GOSPEL, USA, JOURNALISM, REVIEW. [Motown].

Williamson, John. The Musical Artwork and its Materials in the Music and Aesthetics of Busoni. The Musical Work. Reality or Invention. Talbot, Michael (ed). 2000, Liverpool: Liverpool University Press: 187-204. ISBN·0·85323·835·9 (Reviewed in Popular Music, 21/2: 238-9 by Allan Moore).

Willis, Paul. Youth Groups in Birmingham and their Specific Relation to Pop Music. New Patterns of Musical Behaviour. Bontink, Irmgard (ed). 1974, Wien: Universal Edition.: 108-113. ISBN·1·234·567·89·1 [EN] ROCK, CONSUME, SOCIOLOGY, YOUTH, UK.

Willis, Paul (1978). The Golden Age. On Record: Rock, Pop and the Written Word. Frith, Simon (ed); Goodwin, Andrew (ed). 1990, London: Routledge: 43-55 (xi+492 pp) 1publ in `Profane Culture' (Routledge, 1978) [EN] USA, UK, ROCK.

Willis, Paul. Shop-floor culture, masculinity and the wage form. Working Class Culture: studies in history and theory. Clarke, John (ed); Critcher, Chas (ed); Johnson, Richard (ed). 1979, London: Hutchinson: 185-200. ISBN·0·09·138221·1 [EN] WORKERS, UK, MEN.

Willms, Harm. Regression in der Musiktherapie. Musikpsychologie - Ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); Rösing, Helmut (ed). 1993, Reinbek bei Hamburg: Rowohlts Enzyklopädie: 431-438. ISBN·3·499·55526·3 [DE] PSYCHOLOGY, DEFINE, SOCIALISAT, EDUCATION, HEALTH.

Willoughby, Larry. Texas Rhythm, Texas Rhyme: a Pictorial History of Texas Music. 1984, Austin: Texas Monthly Press. ISBN·0·932·01273·6 [EN] USA, ILL., PHOTOGRAPH.

Wilmer, Valerie. As Serious As Your Life: the Story of the New Jazz. 1977, London: Allison and Busby. ISBN·0·850·31224·8 [EN] JAZZ.

Wilmer, Valerie. Jazz People. 1977, London: Quartet Books. ISBN·0·704·33163·2 [EN] JAZZ.

Wilmeth, Don B (ed). The Language of American Popular Entertainment: a Glossary of Argot, Slang and Terminology. 1981, Westport & London: Univeristy of Illinois Press (305p) [EN] VERBAL, MUSIC HALL.

Wilson, Bernard E (ed). The Newberry Library Catalog of Early American Printed Sheet Music. 1982, Boston: G.K. Hall 3 vols. [EN] NOTATION, TITLE MUS., C18, C19.

Wilson, Charles R (ed); Ferris, William Reynolds Jr (ed). Encyclopedia of Southern Culture. 1989, Chapel Hill, N.C.: University of North Carolina Press (xxi+1634p) [EN] USA, BLUES, GOSPEL, HISTORY, SOCIOLOGY, ANTHROPOL., REFERENCE, POLITICS, CULT.STUDY.

Wilson, Earl. Sinatra. 1976, London: W H Allen (377p). ISBN·0·352·30194·5 [EN] USA, 1940S, 1950S, 1960S, BIOGRAPHY, ILL., SCHLAGER, PERSONAL, MUS INDUST.

Wilson, Helen. Ite Wa Whakapaoho Ite Reo Irirangi - Some Directions in Maori Radio. North Meets South. Popular Music in Aotearoa/New Zealand. 1994, Umina (AUS): Perfect Beat Publications: 98-110. ISBN·0·646·16901·7 [EN] N ZEALAND.

Wilson, Jennifer (ed). See Shepherd et al, 1997

Wilson, John S; Steuart, John. Jazz: the Transition Years, 1940-1960. 1966, New York: Appleton-Century-Crofts [EN] JAZZ, 1940S, 1950S, 1960S.

Wilson, Mary. Dreamgirl. 1986, New York: St Martin's Press (292p) [EN] USA, SOUL, WOMEN, SEX/GENDER, MUS INDUST.

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Zak, Vladimir. The Wondrous World of Popular Intonation. Popular Music Perspectives, 2. Horn, David (ed). 1985, Göteborg, Exeter: IASPM: 66-83. ISBN·91·87030·00·4 [EN] MUSICOLOGY, MUSIC EXX., MELODY, SEMIOTICS.

Zak, Vladimir. Il meraviglioso mondo dell'intonazione popolare. What is Popular Music? Quaderni di Musica/realtà, 8. 1985, Milano: Unicopli: 151-169. ISBN·88·7061·894·3 [IT] MUSICOLOGY, MUSIC EXX., MELODY, SEMIOTICS.

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Zanzig, Augustus D (1930). Liebhabermusik und Freizeitbewegung in Amerika. Musik und Gesellschaft, 01/4. Kolland, Dorothea (ed). 1978, Berlin: Das europäische Buch: 123-126. ISBN·3·920·30383·0 (Reprint of original periodical) [EN] MUSIC USES, 1930S, LEISURE, AMATEURS, VOCAL MUS., SOCIOLOGY, CULTPOLIT..

Zappa, Frank (1968). Interview. The Rolling Stone Interviews, 1. Wenner, Jan (ed). 1971, New York: Warner Books: 71-88. ISBN·0·446·78244·0 [EN] USA, UK, ROCK, INTERVIEW, STARS, MUSICIANS, 1960S.

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Zara, Vasco, see Berti et al (1996)

Zech, Gertrud (1930). Musikalischer Rhythmus bei der Fabrikarbeit. Musik und Gesellschaft, 01/2. Kolland, Dorothea (ed). 1978, Berlin: Das europäische Buch: 59-60. ISBN·3·920·30383·0 (Reprint of original periodical) [DE] GERMANY, 1930S, WORK, RHYTHM, TECHNOLOGY, DOCUMENT.

Zeffirelli, Franco. "La traviata". Quaderni dell' I.R.T.E.M., 5/3/1. 1987, Roma: Istituto di recerca per il teatro musicale: 33-34 (L'opera in film. Seminario, L'Aquila 19-21 dicembre 1986) [IT] OPERA, FILM, ITALY, C19, C20, DOCUMENT. [VERDI·Giuseppe].

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Zemtovsky, Izaly. Music and Ethnic History - An Attempt to Substantiate a Eurasian Hypothesis. Yearbook for Traditional Music, 22. 1990, New York: International Council for Traditional Music: 20-28. ISSN·0740·1558 [EN] ANTHROPOL., MUSICOLOGY, FOLK MUSIC, USSR, C ASIA, E ASIA, RHYTHM, MELODY, HISTORY, BULGARIA. [GEORGIA; MONGOLIA; UKRAINE; C13].

Zemzare, I Ya. Slovesnyi tekst legkoi muzyki v svete problem stilya i zhanra. Problemy razvitiya sovremennogo iskusstva. Dukov, E V (ed). 1988, Moskva: Vsesoyuznyi Nauchno-isledovatel'skii Institut Iskusstvoznaniya Ministerstva Kultury SSSR: 206-212 [RU] USSR, SOCIOLOGY, POPULARMUS.

Zeng Sui-jin. Une étude sociologique de la chanson populaire de la Chine contemporaine. Worldbeat, 1. 1991, IASPM: 22-33. ISBN·0·19·508235·4 [FR] CHINA, REVOLUTION, SOCIOLOGY, CULT.STUDY, POLITICS.

Zenkl, Ludek (ed); Chyba, Milos (ed). Hudební sociologie a hudební vychova. 1982, Prague: Ceská hudební spolecnost (210p) Papers from a seminar for music teachers [CZ] ANTHOLOGY, EDUCATION, CRITIQUE, SOCIOLOGY, MUSIC USES, CZECHOSLOV, CONFERENCE.

Zenni, Stefano. La reinvenzione della musica: tra improvvisazione e composizione jazz. Musica/Realtà, 61. 2000, Milano: : 187-192. ISBN·88·7096·243·1 [IT] IMPROVISE, JAZZ, COMPOSE.

Zeranska-Kominek, Slawomira. Mode: Process and/or structure? A study of the Turkmen mukam Gökdepe. Secondo convegno europeo di analisi musicale. Dalmonte, Rosanna (ed); Baroni, Mario (ed). 1992, Trento: Università degli studi di Trento, Dipartimento di storia della civiltà europea: 249-258. ISBN·88·86135·09·2 (www.tagg.org/articles/trento91.html (1999)) [EN] MUSICOLOGY, MUS.ANALYS, CONFERENCE, USSR, FOLK MUSIC, C ASIA, ISLAM, MODAL HARM.

Zermeño, Hector & Sergio; Berthier, Castilo; Ziccardi C, Alicia. Youth and gangs in Mexico City. Music on Show: Issues of Performance. Hautamäki, Tarja (ed); Järviluoma, Helmi (ed). 1998, Tampere: Department of Folk Tradition: 56-65. ISBN·951·44·4290·3 [EN] IASPM, CONFERENCE, MEXICO, YOUTH, GENRES.

Zhito, Lee (ed); Ackerman, Paul (ed). The Complete Report of the First International Music Industry Conference. 1969, New York: Billboard Publications [EN] MUS INDUST, CONFERENCE, 1960S, USA, INTERNATNL.

Zhykova, N V, see Golovinskii (1980).

Ziccardi C, Alicia, see Zermeño, Hector & Sergio (1998).

Ziegenrücker, Wieland; Wicke, Peter. Rock, Pop, Jazz, Folk - Handbuch der Populären Musik. 1985, Leipzig: VEB Deutscher Verlag für Musik (583p) [DE] ROCK, JAZZ, FOLK MUSIC, REFERENCE, USA, UK, DDR, BRD, E EUROPE, BIBLIOGR..

Ziegenrücker, Wieland (ed); Wicke, Peter (ed). Handbuch der populären Musik. Rock, Pop, Jazz, World Music: erweiterte Neuasgabe. 1997, Mainz: Atlantis - Schott. ISBN·3·254·08363·6 [EN] GERMANY, USA, UK, WORLD MUS., ROCK, JAZZ, REFERENCE.

Ziermann, Christoph. Jenseits des Marktes. Musik und Ästhetik, 1/2. Mahnkopf, Claus-Steffen (ed). 1997, Stuttgart: Klett-Cotta: 137-146. ISBN·3·608·98576·X [DE] BUSINESS. [Adorno,·Th·W; Benjamin,·W].

Zile, Judy van. Examining Movement in the Context of the Music Event: A Working Model. Yearbook for Traditional Music, 22. 1988, New York: International Council for Traditional Music: 125-133. ISSN·0740·1588 [EN] GESTURES, DANCE, NVC, ANTHROPOL., GENRES, FOLK MUSIC, EUROARTMUS.

Zimmerman, Bernd Alois. Frescobaldi. Musica/Realtà, 59. 1998, Lucca: LIM: 5-8. ISBN·88·7096·065·X [IT] ITALY, KEYBOARDS, COMPOSE, C16.

Zimmerman, Michael; Vieth, Udo. Reggae: Musiker, Rastas und Jamaika. 1981, Frankfurt: Fischer (208p) [DE] REGGAE, MUSIC HIST, CARIBBEAN.

Zimmerman, Peter. Rock 'n' Roller, Beats und Punks: Rockgeschichte und Sozialisation. 1984, Essen: Rigogern Verlag (137p) [DE] BRD, ROCK, CULTPOLIT., SOCIOLOGY, HISTORY, CULT.STUDY.

Zindi, F. Roots Rocking in Zimbabwe. 1985, Mambo Press: Harare [EN] S AFRICA, ROCK.

Zindi, Fred. Roots Rocking in Zimbabwe. 1985, Gweru: Mambo Press (101p) [EN] AFRICA, HISTORY, MUSIC HIST.

Zindi, Fred. Roots Rocking in Zimbabwe. 1985, Harare: Mambo Press [EN] S AFRICA, ROCK.

Zion, Lawrence. The impact of the Beatles on pop music in Australia: 1963-1966. Popular Music, 06/3. 1987, Cambridge: Cambridge University Press: 291-311. ISBN·0·521·33679·1 [EN] UK, AUSTRALIA, 1960S, LIVERPOOL, RADIO, MUS INDUST, ROCK.

Zion, Lawrence. Disposable icons: pop music in Australia 1955-62. Popular Music, 08/2. 1989, Cambridge: Cambridge University Press: 165-176. ISBN·0·521·37838·9 [EN] BUSINESS, ROCK, AUSTRALIA, 1950S, YOUTH, MUS INDUST, USA. [O'KEEFE·Johnny].

Zion, Lawrence. Reactions to rock in Australia in the 1960s. 1789-1989. Musique, Histoire, Démocratie. Colloque international organisé par Vibrations et l'IASPM, Paris 17-20 juillet 1989. Hennion (ed). 1992, Paris: Éditions de la Maison des Sciences de l'Homme: 655-666. ISBN·2·7531·0532·6 (in 3 volumes (ISBN 2-7531-0532-6, 0533-4, -0534-2). Soutien de la Direction de la Musique (Ministère de la Culture) et du Centre d'Ethnologie française. Vol 1 pp 1-260, vol 2 pp 263-506, vol 3 pp 509-829) [EN] AUSTRALIA, ROCK.

Zitarosa, Alfredo; Gilio, María Esther (ed); Toja, Hugo (ed). Una voz en el ruedo. Various articles from La Brecha, etc.. n.d. Montevideo: : 020 Brecha, 890120 [SP] URUGUAY, SINGING, ARGENTINA, INTERVIEW.

Ziugánov, Guennádiy. URSS - Rússia Ontem Hoje Amanhã. 1996, Brasilia: Alva. ISBN·5·88010·010·3.

Zlotchew, Clark M. Tango From the Inside: Interview With Enrique Cadicamo. Journal of Popular Culture, 21/3. 1987, Bowling Green, Ohio: Bowling Green State University Popular Press: 131-143 [EN] S AMERICA, TANGO, INTERVIEW, MUSICIANS.

Zobeley, Fritz (1930). Musik und Laie in der mittleren Kleinstadt. Musik und Gesellschaft, 01/3. Kolland, Dorothea (ed). 1978, Berlin: Das europäische Buch: 76-79. ISBN·3·920·30383·0 (Reprint of original periodical) [EN] GERMANY, 1930S, CULTPOLIT., ORGANISE, URBAN.

Zobl, Wilhelm. Música nueva a comienzos del '80. La del taller, 1985/4. 1986, Montevideo: Talleres latinoamericanos de musica popular: 16-18 [SP] MOD.CLASS., POLITSTUDY.

Zolov, Eric, see Pacini-Hernandez et al, 2004

Zolov, Eric. La Onda Chicana: Mexico's Forgotten Rock Counterculture. Rockin' Las Américas. The Global Politics of rock in Latin/o America. Pacini Hernandez, Deborah (ed); Fernández L'Hoeste, Héctor (ed); Zolov, Eric (ed). 2004, Pittsburgh: University of Pittsburgh Press: 22-42. ISBN·0·8229·5841·4 [EN] MEXICO, ROCK, OPPOSE, L AMERICA.

Zoltai, Dénes. Ethos und Affekt. Geschichte der philosophischen Musikäst hetik von den Anfängen bis zu Hegel. 1970, Budapest: Akadémiai Kiadó. Berlin: Akademie-Verlag (271p) Original title "A zeneesztétika története - Ethos és Affektus", Budapest, 1966 [DE] AESTHETICS, PHILOSOPHY, MUSICOLOGY, HISTORY, EUROPE.

Zoltai, Dénes. Zur Typologie des Verstehensproblems in der Ästhetik des 19. Jahrhundert. Musik und Verstehen. Faltin, Peter (ed); Reinecke, Hans-Peter (ed). 1973, Köln: Gerig: 320-337. ISBN·3·87252·076·8 [DE] PHILOSOPHY, AESTHETICS, HISTORY, EUROARTMUS, COMMUNTHEO, SEMIOTICS.

Zoppelli, Luca. Le madri e l'anticristo. Fiaba e natura nella "Donna senz' ombra". Musica/Realtà, 54. 1998, Lucca: : 65-77. ISBN·88·7096·214·8 [IT] AUSTRIA, GERMANY, OPERA, DRAMA, LYRICS, WOMEN, MYTHOLOGY, MUSICOLOGY, MUSIC EXX.. [Strauss,·R; Hofmannsthal,·H].

Zorn, John. Zornography. unknown US periodical. [EN] FILM MUSIC, AVANTGARDE. [Morricone,·E].

Zotti, Laura Minici. Le lanterne magiche - Compagna "Mondo Niovo". Trento Cinema 1988. 1988, Trento: Provincia Autonoma di Trento - Servizio Attività Culturali: 294-294 (Incontri internazionali con la musica per il cinema) [IT] FILM, VIS. ARTS, C19.

Zuberi, Nabeel. Sounds English: Transnational Popular Music. n.d. Chicago: University of Illinois Press (276p) (Reviewed in Popular Music 22/1).

Zuberi, Nabeel. Documented/Documentary Asians: Gurinder Chadha's "I'm British But..." and the musical mediation of sonic and visual. Soundtrack Available. Essays on Film and Popular Music. Wojcik, Pamela Robertson (ed); Knight, Arthur (ed). 2001, Durham NC: Duke University Press: 244-268. ISBN·0·8223·2797·X [EN] FILM MUSIC, ETHNICITY.

Zuckerkandl, Victor; Trask, Willard R (tr). Sound and Symbol. Music and the External World. 1969, Princeton: Princeton University Press (399p). ISBN·0·691·01759·X (1 publ in German. 1 Eng version 1956, New York: Bollingen Foundation) [EN] MUSICOLOGY, PERCEIVE, TIME/SPACE, PHILOSOPHY, SEMIOTICS, AESTHETICS, MELODY, HARMONY, RHYTHM, EUROARTMUS.

Zuckmayer, Eduard; Luserke, Martin (1930). Musik und Laienspiel. Musik und Gesellschaft, 01/5. Kolland, Dorothea (ed). 1978, Berlin: Das europäische Buch: 137-143. ISBN·3·920·30383·0 (Reprint of original periodical) [DE] GERMANY, 1930S, OPERA, VOCAL MUS., LEISURE, ORGANISE, AMATEURS.

Zurlini, Valerio; Rondi, G Luigi; Tovoli, Luciano. Il deserto dei Tartari. Trento Cinema 1988. 1988, Trento: Provincia Autonoma di Trento - Servizio Attività Culturali: 141-146 (Incontri internazionali con la musica per il cinema) [IT] FILM, VIS. ARTS, ITALY, POLITSTUDY, FILM MUSIC. [MORRICONE·Ennio].

Zwerin, Michael. Broken Up and Down. 1982, Paris: Hardshake Editions (126p) [EN] JAZZ, 1950S, ANTHOLOGY.

Zwerin, Mike. Tristesse de St Louis: Swing Under the Nazis. 1985, London & New York: Quartet Books (224p) [EN] GERMANY, WAR, 1930S, 1940S, JAZZ, EUROPE.