Tagg Teaching and related activities
Philip
Tagg
Teaching and related activities
[Tagg]
var så vennlig å foreslå en fremgangsmåte
– en metode tilpasset populærmusikk
(Yngvar
Steinholt, Rockens rolle i Russland, Forskning i Norge, 2003*)
Since January 2010 I’m back in the UK where I’m currently Visiting Professor at the universities of Huddersfield and Salford. As a pensioner I’m more master of my own time than before and therefore more available to do things for institutions other than those that employed me full time. The ‘things’ I might be available to do include: |
• Course consultancy |
| I'm
fluent in English, Swedish and French, reasonably conversant
in Italian and German, and able to read Spanish, Portuguese,
Danish, Dutch and Norwegian without too much difficulty.
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If you are interested in pursuing research into a topic relating to my areas of interest (music semiotics, music analysis, music and the moving image, musicology of the media etc.), and if you wish to contact me for consultation or about supervision, it is best, before you send any written proposal, if we can discuss your ideas either in person or over the phone (in English, ou en français, eller på svenska, oppure in italiano, oder auf Deutsch). If you are interested, please contact me first of all, letting me know at which phone number you can be reached at what time of the day. Although retired, I am affiliated as Visiting Professor with the universities of Salford and Huddersfield (UK) if you need to be registered at a proper university. |
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Short courses, seminars, workshops and lectures Since retiring I am available to give short courses, seminars, workshops, lectures and other types of presentation. I have run many three- to five-day workshop in popular music analysis for a group of between ten and twenty participants. These workshops follow the general form given for the courses Popular Music Analysis and Analyse de la musique populaire. Teaching has usually been in English, French or Swedish, and discussions have been held in any of those three languages, or, with local help, in Danish, Dutch, German, Italian, Norwegian, Portuguese or Spanish. I have previously run such workshops for the: Cursos latinoamericanos de música contemporânea (Brazil, 1984); Queensland Conservatorium of Music, Brisbane/Gold Coast (Australia, 1997 and 1999); Diplomado Internacional de la Semiologia Musical, Escuela Nacional de Musica and Universidad Nacional Autonoma de México (1998 and 2008); Department of Music, University of Hong Kong (2003); Dipartimento de musicologia, Università di Padua (Italy, 2003), the University of Rio de Janeiro (UniRio, June 2004); the University of Montevideo (Uruguay, July 2004); Université de Tours François Rabelais (2007). I am also available for one-off lectures and presentations. You will find a list of my guest teaching and lecturing experience on this site. Feel free to contact me if you are interested. |
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Liverpool courses Details of courses I used to teach at the University of Liverpool are no longer on line, except for Popular Music Analysis. However, most course materials and all student work from my Liverpool days (1991-2002) are still accessible from this site. Memo about noise in the Pilkington Building (relevant to issue of low awareness of soundscape]). |
Music Analysis |
• Reception tests and VVA classification • more stuff to come • even more stuff to be done |
other subjects to come |
• stuff not there yet • more stuff not there |